Saturday, June 1, 2019

Three Poems by Timothy Paul Evans


Sing to It

“the great chain of being”
Sunbathers sprawled atop glaciers
Splashed in rainbow-pigment hues
Free floating eggs, arrowhead
Shaped shells nonchalantly
Drifting on the free exchange
Of ideas, a collective waiting
Up on a mountain waist deep
In snow-encrusted forest
Recorded on 16 mm reels of
Blank verse and alluded
To on postcards post marked
Just this morning, mythical
Rituals and shape shifting
Totemic spirits free falling
From the sensory deprivation
Long reserved only for
The dead



A Silenced Drumming

time to sit still
far from the tumult
of dancers in nowhere
the mischievous antics
upending conventional form
giving agency to the last
nightfall before the dog
days surrender to secrecy
and ciphers, the banality
of winter in all its allegorical
allusions to death before
rising again in the blue
salvation of St. Elmo’s fire
hanging out with language
trying to make a living, just
trying to get ahead, solving
an equation that can’t be
explained away by the music
of ancient bells heard
in a children’s book
once upon a time


A Fortnight of Tears Wiped Away on the
       Sleeve of a Condemned Man

in the ante room of
my dreams I can hear
the rustling of leaves
against the waning night
withered branches
moaning from the ache
of being thrashed about
by the unwelcome
winds of change in
the market value of
weddings and murders
committed in the name
of honor, the value of
a good slap to the head
to jar a memory loose from
its moorings to go floating
off into unexplored realms
of untethered ravings by
the learned men hung
by their wrists in their ivory
towers of learning for
learning’s sake, their cups
of Earl Grey, hot, leaning
over the precipice of an
open window overlooking
the afterthought of the newly
dead not yet tucked in in
among the roses reading
“Good Night Moon” to the
Mourners scattered amongst
The splintered trees of Calvary
Awaiting news as to the Carpenter

Being truly a man of his word

(c) 2019 Timothy Paul Evans


Timothy Paul Evans: Tim came to writing poetry late (in his 60’s). He finds it a great release from his busy schedule of rehearsing and appearing on the stage and in front of film and tv cameras. He recently appeared on stage at the Los Angeles Theater Center in “The Pitch” starring Paul Rodriguez. His poems have appeared in the 2016-2017 and 2018-2019 San Diego Poetry Annual as well as the 2018 National Beat Poetry Festival 10 Year Anthology. He is currently working on a one act play dealing with domestic violence in the immigrant community titled “A Dance” incorporating spoken word, music and dance.

Tuesday, April 16, 2019

Chris Harden: Four Poems (and Two Spoken Word Pieces)




Ineffable Bond


Praises be to my beautiful Goddess of Love and Light,
This thing we have, this thing we do, feels so good, it feels so right.
I am blessed by your gaze and to stand in your Light.
This ineffable bond we share that draws us in,
Its name we may never know,
it must be nurtured, it must be fed,
with Water and Sunshine, we will watch it grow.
Our union leaves a shimmering trail of golden dust.
Our Lust shone bare and carefully laid before the feet of the All.
By the All, for the All, and in the All we dance a timeless motion.
Chaotic donkey rhythms ripple the fabric of our world,
creating sounds which deliver the sermons of forever.
We chant as the universe harmonizes with us.
Our symphony of Life springs forth in the Joy of our rapture.
Down below, the Ruach will know,
how to capture these sentiments we seek.
Until we arrive we both shall strive to hover above the think.
For as soon as we think, we surely will sink,
bathed in the matter of Malkuthian lather,
birthed in a place filled with Joy.
Our adventurous stories are written for glory,
in the tombs of wise men of old.
And if once again, you would take my hand,
the dance shall start anew.
Through mystic Love we shall rise above,
while the universe is birthed and renewed.


© 2018 Chris Harden




The Face of My Goddess


The Gold of her hair, the Blue of her eyes,
shine forth like the face of my Goddess divine.
Inside we find a lambent flame of Blue.
Her curves like the continuity of existence,
convergent and smooth.
I accepted the dance with an unending expanse,
the omnipresence of her body did arch for me.
Her hands rained down like kisses to the ground,
the dew of her Light flows free.
Infinite Space and the Infinite Stars thereof
embrace me with sweetness and Love.
Division for its sake provides but the chance,
for our union birthed the world up above.
Her kisses transport me to another dimension,
a space which is timeless and vast.
Peacefully I rest, nestled in breasts,
of my Star Goddess whose face I caress.
Our timeless embrace creates just the space,
for hopes and dreams to manifest.
The bliss of our union and the dew of our Lust,
creates a gravity pulling us in.
The All is upon us devouring our bliss,’
there is no beginning or end.
Whirling and stirring we knew from the start,
that the Devil and Death make Art.
Abide with me, my sweetest Love,
always more, never the less.
As you bend down the Joy wells up,
another opportunity for Yes!


© 2018 Chris Harden




Love Conquers, Even in Filth,
or The Quarter Star Motel


Late night stop, O' Lucky U,
no vacancy here.
A shit hole by any other name should smell as bad.
Dried bubblegum on the ceiling,
a mess on the floor was much worse.
A tub filled with shit stains, and a fridge too gross to touch.
Sheets stained with piss, blood, and cum
had never been washed.
What a place for Stars to crash land.
How does one profess the Love of their Star Goddess
amidst the scum, garbage, and shit?
Her halo, brightly shone as I lay her gently on the bed.
Her eyes burning like Twin Suns.
Love conquers even in filth.
Curling up to place my head upon her breast.
A feeling of sand on our feet, under the sheets,
but someone had dumped out their whole bag of meth!
We pushed through to arrive at the Dawn.
The morning light only grossing us out even more.
We embraced through the night but left in great haste.
Love conquers, even in filth, and cuddles are never a waste.


© 2018 Chris Harden




The Mountain don't lie.
It's something you can trust.
Three J's lined up,
but a Master is only slain once.
The illusive power of the almighty Us,
but only a fool would think
they could kill a pile of dust.


© 2019 Chris Harden






Spoken Word


Quadratica


"The legend of Chris Harden is a long and winding tale. He lives in his
pirate-ship shaped house on the side of a glacier in the continental
divide of the Rocky Mountains. Here he is known as The Wizard
of Alice Mountain. He is a philosopher, magician, mathematician,
poet, musician, teacher, wizard, and a great devotee of Love. As an
avatar of Slack the Wizard of Alice spends much of his days working
to be an exemplar through the demonstration of Fun. He begets the
Art of Pushing Through. He daily strives to help others with pushing
through fear, doubt, confusions, etc ... He wields the weapons of the
Adept, Love and Light, striving to be a beacon of hope and to ignite
the fires of Love throughout the world."

Wednesday, April 10, 2019

Karen J McDonnell: Two Poems: "An Invitation to the Late Mr. Yeats" and "Corridor Assessment"

An Invitation to the Late Mr Yeats

Return. Regenerate
like Coole's flooded gardens.

This birthday, renew
your initials on the copper beech.

Stay awhile. Listen to swan
wings whack October's lake.

Look for light: svelte,
slivering into the seven woods.

© 2019 Karen J McDonnell




Corridor Assessment

He is in the Assessment Unit.
We are in the corridor.

Later, I fetch coffee.

Plenty of time for small
talk. For memories of the aunt
who insisted on sea

dipping, in her nineties.
Shells and her swimming togs
in the coffin. She sent us

post-decimalisation envelopes
heavy with fifty-pence coins
she sellotaped to birthday cards.

Diagnosis is around the corner.

We might make ninety.
There's laughter in the corridor.

© 2019 Karen J McDonnell





Karen J McDonnell is published most recently in Irish Times New
Irish Writing, spontaneity.org, and special Irish editions of The
North and CoastToCoastToCoast. She has won several awards and
been listed in competitions, including 2018’s Anthony Cronin, and
Bangor poetry competitions and the 2017 Robert Monteith, Poems
for Patience, and Dermot Healy Poetry prizes. She has read at festivals
and spoken word venues around Ireland, and on RTÉ Radio's Sunday
Miscellany and The Poetry Programme. Awarded Tyrone Guthrie and
Birr writers’ residencies, her debut poetry collection is This Little World  
(Doire Press). She lives in the Burren, beside the Atlantic.

Monday, April 1, 2019

Brendan Constantine's "Bouncy Bounce"

Say this aloud: the sky is not a river
                        It won’t deepen if you fall in. - from Bouncy Bounce


    For those of you who’re not familiar with the poet Brendan Constantine,
or have always wanted to read his work, and have yet to do so, a good place
to start would be his new chapbook, Bouncy Bounce (© 2018 Blue Horse
Press), or his back catalogue of excellent work.
    More than Constantine’s other works, Bouncy Bounce, as the title suggest,
is a buoyant volume of poetry; highly enjoyable, and quick to breeze through,
until you find yourself mesmerized, and then, like a wayward ball on the
playground, it smacks square you in the face. There’s a trick built into
Bouncy Bounce, like that infamous scene from Lawrence of Arabia,
where Lawrence imparts to Potter, his British comrade, “The trick,
William Potter, is not minding that it hurts.”     





    Poetry should hurt, otherwise, what’s the point in writing it. The more
painful, the more memorable, and this is where, Constantine, like
W. S. Merwin, succeeds beautifully. There’s an intimacy in Constantine’s
poems, which make the reader feel like they are being given the privilege
of being taken into his confidence, to share his upside-down view of the
universe, in regards to family (“Open Heart Perjury” and “Crib”),
anthropomorphism as a means of accessing empathy, and recognition
of ourselves (“Field Trip” and “At a Stumble”), and who we are, in
relation to, as well in our relationships to each other (“Out in the Air”),
and what the most powerful poem to illustrate this, “The Arrival of
the Sleepers”:

The sleepers came like curtains in the blown in the wind.
The sleepers came here
The came and blew softly into the firelight
And they were sleeping
And they were sleeping where they stood
And more sleepers came
And they lay their bodies down
And they lay their long bodies over each other
And they did not stir
And they did not stir
The sleepers slept like stones in a bog
They slept like a bog
They were a bog of sleeping sleepers
And if you had been here
If you had walked over them
You would have sunk down into them
Until just your head and arms could be seen
And you would have waved and struggled
You would have struggled
Like I struggled
Until at last you slept beside me


© 2018 Brendan Constantine
     If, for no other reason, you wish to grow, as a person, through
poetry, then Bouncy Bounce is the perfect choice to initiate that
process. As with all of Constantine’s work, it deserves a permanent
place on your bookshelf.


Bouncy Bounce, © 2018 Blue Horse Press, Brendan Constantine,
ISBN-10: 069282096, ISBN-13: 978-0692820964, 33 pages,
$10 (US)

© 2019 marie c lecrivain