Showing posts with label ekphrastic poetry. Show all posts
Showing posts with label ekphrastic poetry. Show all posts

Friday, June 27, 2025

Friday, June 27, 2025: Ann Huang's "Aftermath"

 Aftermath

                after Schubert’s Minuet in A Minor

 

Peace has maintained

You— someone so special
other-worldly, complacently
living out of a hope

 

You’ve endured many ordeals
for wearing off your devils
by the sitting bone
at dawn
de-franchising the blood cells
from slapping pains.

 

You’ve found joy
releasing want on earth
from your much-earned matriarch
fracturing bones
of eternal hooks

After a sage opens her window
a butterfly leaves her cocoon
outside limbo
She has obtained
the light of the high-light


© 2025 Ann Huang




Ann Huang is a poet, filmmaker, non-profit administrator, full-time frenchie parent, and part-time Traveling Show Manager for The Marin Poetry Center. Ann is making her seventh experimental film BRAZEN SAILS from Ann Huang Presents. She loves to stroll on the beach with her frenchie and practice reformation Pilates with her peers. Find out more about her work at AnnHuangPoetry.com and SaffronSplash.com.

Friday, August 11, 2023

Friday, August 11, 2023: Carole Mertz's "Renata at the Piano"




Au Piano, Romaine Brooks (USA) 1920


Renata at the Piano

        

(On Au Piano, Romaine Brooks (USA) 1920)

 

Her eyes downcast, her hands spread rigidly taut,

her somber expression hidden within the notes.

Oh dear! a memory slip, forgetting what she thought

she knew so well. Ah! now again the music floats

as she wanders blindly, with much embellishment.

With each repetition of Marche Funebre she earnestly strives

to speak Chopin’s darkly Romantic intent.

At a laborious and unlikely first ending she arrives

but now must perform a da capo without mistake.

Oh, hidden agony for this accomplished player—

there’s no intermission, no time for her to take

a rest before performing her feverish final and improvised layer.

Her hand muscles serve her better than her brain.

No escape—till the last note, au piano she must remain.


© 2023 Carole Mertz



Carole Mertz, poet and essayist, is the author of Color and Line, a collection of ekphrais and other poetry (Kelsay Books, 2021). Her poems also appear in Adanna, Al-Khemia Poetica, Quill & Parchment, Riddled with Arrows, The Ekphrastic Review, and elsewhere. Her chapbook Toward a Peeping Sunrise is a best-seller at Prolific Press. Carole resides with her husband in Ukrainian Village, Parma, Ohio.

Tuesday, July 5, 2022

Tuesday, July 5, 2022: Amelie Frank's poems: "My Love as a Mannerist Painting" and "Elegant Universe"



My Love as a Mannerist Painting

January 2, 2022

No deposition

No embrocation of limbs and loin

No lachrymal traces cooling on the zygoma

No lips to brow

No, suffering’s over now

No arms but to release and commend to the ascent


© 2022 Amélie Frank



Elegant Universe


I never did find out what you thought 

when I spoke of the aftertaste of

the astral particles you left on my lips. 

You were angry when I spoke,

too angry to feel the

fluttering in my chest, the expanding 

irregular galaxy of the of the left ventricle

when she became a sphere,

an apple, a nova, a ticking metal shield 

pinging your name in contraction.

That was two years ago.

That was the last poem for a while.


Such are these kisses we find

so hard to pin down in tin turns

riparian residue at the bottoms of hopeful pans.

When our lips share a common

point they are never quite coplanar,

more the nervous waves in filament

that mark the neon grids

that never quite hold their shape long enough 

before collapsing into Lichtenstein

into the end of the war

into the watchworks of your amygdala 

into an eruption of tropical origami cranes

into those two hawks glancing off the thermals

before our very eyes that afternoon.


How can you say to me that you are not beautiful

when you are the sunlight bending in

17 different angles through the leaded stained glass;

when you are the homecoming, the sugar-shell peck

on the lips, when you are the lower half of

Spiderman's mask as Mary Jane peels it both up and down

before vestiges of the Persid storm

like tear salts on the lower rim of her mouth

find their opposite polarity in him?

It has always been nothing but impossible geometries,

mind-blowing footage of a circle that becomes

a scroll effect, a vortex that might hold martinis,

a parallelogram of wishing, a trick of dimensions

you can visualize while I cannot because your mind

is all numbers, machine language with a good head of hair,

and I am just the four sleeping chambers, the breath,

the gush, the amplexing of two primary colors,

the next breath, a Pantone swatch

of everything and nothing.


How can you say to me that you are not beautiful

when your eyes contain the glint of delight

carried through generations of the boys of your tribe;

when the tragicomic dualities of your face are seeded into

the family helix alongside survival, genius, and

possibly light espionage; when the desert shades

of your skin radiate heat, duty, fatherhood,

and the longing for silence, for proximity to water,

for the reassuring hiss of the seas

as they receive newborn alloys,

molten, perhaps even extraterrestrial?


So much beauty there.

So much of the microcosm that coats

my tongue when your name pauses there to rest.

So much of the three small lizards that Escher

drew into our path that afternoon,

like you, their skins indelibly beaded with so much life

like you, beautiful, beautiful, beautiful.


© 2022 Amélie Frank




Bio: Amélie Frank has authored five poetry collections. Her work has appeared in Art/Life, Lummox, So Luminous the Wildflowers, Poeticdiversity, Sparring with Beatnik Ghosts, Levure Litérraire, Poetry Superhighway, Cultural Weekly, Wide Awake, 1001 Knights, Blue Arc West, Edgar Allan Poet, A Month of Sundays, and Voices From Leimert Park Redux. She has featured at Poetry in Motion, BackStory, Sparring with Beatnik Ghosts, the NoHo Literary Crawl, Library Girl, Inspiration House, MOMA, LACMA, even Hooters Café. Beyond Baroque Literary/Arts Center and the cities of Venice and Los Angeles have honored her activism and leadership in the Southern California poetry community.  





 

Friday, March 31, 2017

National Women's Month: Part 5 of the Five-Part Collaboration between Artist AJ Meier Welch and Marie C Lecrivain




“We Won't Stay Silent, and We Are Watching You” (9 x12) from the series “Drawings of a Mad Saleswoman”© 2017 AJ Meier Welch, watercolor ink and pen on Bristol paper


After AJ Meier Welch's "We Won't Stay Silent, and We Are Watching You"

It was a glorious day filled with hopes, dreams,
and voices ringing with protests and songs,
a day where women of all stripes came together
with purpose,and pink pussy hats to dissolve
the boundaries of race, class, and ideological fallacies,
and to fill the space where they're needed most.

It was a day I could only celebrate on the periphery,
through social media snapshots of my friends carrying signs,
and their children upon their shoulders, in DC, Paris,
Los Angeles, and, amazingly, Antartica, where pink hats
kept cold ears warm, and hearts burning with enthusiasm.

It was a day that bound the better half of humanity
into a common promise; to take back the future,
be better to one another, and to keep marching
until the last oppressor's message is ground
to dust beneath the majesty of our feet.


© 2017 marie c lecrivain

Tuesday, March 28, 2017

National Women's Month: Part Four in the Five-Part Collaboration between AJ Meier Welch and Marie C Lecrivain



“What” (9 x12) from the series “Drawings of a Mad Saleswoman”© 2017 AJ Meier Welch, watercolor ink and pen on Bristol paper


After AJ Meier Welch’s “What?”


(dedicated to Eric Arthur Blair)


We’re all born with the same question;
What?, (usually followed by why?),
into a world full of questions
asked by others who have access
to a handful of hard-won truths,
and volumes of fables renamed history.


We all have a list of unanswered questions
that plague us in our deepest moments
of despair, startled awake at 4 am,
bathed in angry sweat and tears,
and we ask ourselves:
What happened?
What did I do?
What have I become?


We can grieve the loss of
the best part of ourselves,
the child of wonder we all once were,
tucked away in the most careful
and protected part of the soul,
surrounded by as many questions
as there are leaves on the trees of eternity


or


we can become that child again


© 2017 marie c lecrivain




Saturday, March 25, 2017

National Women's Month: Part Three in a Five-Part Collaboration between AJ Meier Welch and Marie C Lecrivain




ONE DROP from the series “Drawings of a Mad Saleswoman”© 2017 AJ Meier Welch, watercolor pen, colored marker, and ink on Bristol paper.


After AJ Meier Welch’s “One Drop”

I never liked the little girl I was,
always being told to stay quiet,
be good, don’t talk back
to strangers who called
my stories lies, and who
never understood the gift
of being born one’s own muse.

I wish I’d grown up in a world
where my tales were lauded
by my peers, and where my poems
could burst forth into starry blossoms  
like those on the almond tree
in my backyard every spring.

Instead, I took refuge in other stories,
and added bits to my dark garden,
where they germinated in silence.
I gave birth to awkward poems
and shared these imperfect creations,
fervid, and on the defense against
other wordsmiths and bards
who welcomed me as one
of their own, not realising,
until, one day, when a fledgling
came into our circle with a notebook
clutched tightly to her chest, and
eyes lit with a defiant hope,
that was once me… and that
we’re all links in a chain
that leads back to Mother Muse,
each of us born from a single
perfect tear dropped into
the maelstrom of the world.

© 2017 marie c lecrivain

Wednesday, March 22, 2017

National Women's Month: #2 of a Five-Part Collaboration Between AJ Meier Welch and Marie C Lercrivain




45 Bye-Bye from the series “Drawings of a Mad Saleswoman”© 2017 AJ Meier Welch, watercolor ink and pen on Bristol paper

After AJ Meier Welch's 45 Bye-Bye


Tears… blood… sweat… urine...
drops of matter engendered
by millions of mothers, daughters,
aunts, sisters, and friends who saw
their hopes and dreams washed down
the drain the day you ascended
the world stage. You swore to
represent us, the ones you regard
as nothing more than pretty faces
in a crowd, and pointed your index fingers
at us pistols loaded with evil intent.


What do you know of suffering,
privation, or of sacrificing
the last shard of self
to make a future for the ones
you love? You, who are steeped
in gold-plated privilege and
prestige you never earned?


What do you know of success,
which, for many of us,
includes holding your head high,
and accepting failure with grace?


What will happen the day
you look up into the sky
as the reign of womanhood
pours over you, a rising tide
whose bitter waters
will fill your mouth and ears
with the sound of silent sorrow?


Will it be enough
to stop your heart?


Will it be enough?


© 2017 marie c lecrivain