Tuesday, December 13, 2022

Tuesday, December 13, 2022: Jan Steckel's "Being Disabled in a Pandemic"


One of my two best friends is a butch lesbian I’ll call Jess, the other a straight man I’ll call Will. We’ve all known each other for thirty years, since we were students together in medical school. Jess is still a doctor, but Will and I left medical practice years ago. At the pandemic’s beginning, all three of us were on the same page, advising each other what precautions to take. Jess took a few more risks than I because she’s younger and in good health, but we all shared the same consensus scientific reality. 

Soon, however, Will started sending me articles about herd immunity and the uselessness of masks. Previously sympathetic toward trans people, he became obsessed with trans women, lurking on their message boards. He gobbled up and vomited out at me trans-exclusionary radical feminist talking points. He expressed the fear that trans women would trick him and other straight men into thinking they were “real women” and having sex with them. 

While Will had always been economically conservative, he had also been reasonably socially progressive. Now he ranted against Black Lives Matter and progressive protestors in his city of Portland. He called teachers cowards for wanting more protections before returning to the classroom. He boasted that he deceived the people into thinking he was wearing a mask by using a cloth mask with a hole in it concealed by a fabric flap, designed for playing woodwinds. I was appalled; to me that bordered on assault and made me think he was unhinged. He called the governor of his state a misogynistic slur for imposing public health measures. He began to troll me relentlessly, deliberately trying to get a rise out of me, to the point where I could no longer speak with him and dreaded his texts.

When I told Will I thought he had undergone a personality change, he said he was filled with rage because the world had gone insane with fear of Covid. He had diagnosed himself with two serious medical conditions that can be aggravated by stress but refused to seek medical care, declaring “I am not a patient.” When I pointed out that either condition could cause vascular problems in his brain that might cause personality changes, he lashed out at me for identifying as disabled, texting “Being ill, fearful of illness, and dependent on medical care is part of your self-image… Why do you call yourself ‘horizontal poet’ on social media? Is that the first thing you want people to know about you, that you’re partially disabled? The sobriquet would fit better if you were quadriplegic. You don’t begin to have an idea how much I hate it and what it does to you. Why do you gravitate toward people with disabilities of all kinds? You seem to want to cast me in the role of one of your frail, fearful, dependent friends….”

Most of my disabled friends are actually emotionally stronger and more resilient than Will, who now subscribes to ableist body fascism along with all his other repugnant beliefs. I was as horrified by the changes in Will as by the deaths of a dozen friends and acquaintances during the pandemic. I feared his personality change might be due to early dementia or mental illness, perhaps even brought on by a case of Covid.

Then, on February 19, Benjamin Jeffrey Smith shot and killed Brandy “June” Knightley, a 60-year-old queer, disabled, female, progressive activist in Portland, and wounded five other women. One of the wounded women was paralyzed from the neck down. The unarmed women had been directing traffic away from a protest against the killing of Amir Locke, a black man shot by police executing a no-knock warrant for someone else. Unlike the 2017 murder of Heather Heyer by a Neo-Nazi in Charlottesville, national media never covered June Knightley’s murder much. Maybe killing protesters had become the new normal, or maybe it was because June Knightly wasn’t young and walked with a cane. I already knew older disabled women were invisible, but the nation’s pandemic response really brought home to me how little anyone cares if we die.

The views espoused by the shooter were uncomfortably close to those now held by my erstwhile friend Will. Smith was a fan of Andy Ngo, a right-wing pseudo-journalist who demonized the protestors. Will is also now a fan of Ngo’s. I’m a year younger than Knightley, and like her I’m disabled, queer, progressive, and activist. My longtime friend is a gun owner like Smith. If someone had told me it was Will who had opened fire, part of me wouldn’t have been surprised, so incandescent is his rage. I could have been the woman he killed.

Jess and her family eat dinner monthly with me and mine, usually outdoors. On lawn chairs around the propane heater, we turn Will’s transformation and the killing of June Knightly over and over. In the isolation that the pandemic engendered, how could we have prevented online radicalization? How do we protect the right to assemble against stochastic terrorism? How do we come back from this? I haven’t asked Will about Knightley’s murder, perpetrated not far from his house. I don’t want to know what he thinks.


© 2022 Jan Steckel



Jan Steckel left a busy pediatric practice caring for mostly Spanish-speaking

children to work as a poet, writer, and medical copy editor. She is Jewish,

bisexual, and disabled by chronic pain. Her poetry book The Horizontal Poet

(Zeitgeist Press, 2011) won a 2012 Lambda Literary Award. Her fiction chapbook

Mixing Tracks (Gertrude Press, 2009) and poetry chapbook The Underwater Hospital

(Zeitgeist Press, 2006) also won awards. Her fiction and poetry have appeared in

Scholastic Magazine, Yale Medicine, Bellevue Literary Review, Canary, Assaracus,

and elsewhere.

She lives in Oakland, California.

Tuesday, December 6, 2022

Tuesday, December 6, 2022: Belinda Subraman's "4:00 a,m., again," and "Future History"

4:00 a.m. again


and no sleep

I tried forest sounds

including a stream and an owl.

I tried happy tv

traveling, remodeling 

other animals in their habitat.


I tried counting breaths

and soft music.


I tried acupressure

and the mantra

“be here now”


I tried silence

and the static was deafening


Pills aren’t working.


My recurring depression

blossoms in a toxic reality.

I tuned into WW3

thinking avoiding it was not working

and that didn’t work either.


Over 3 million refugees 

from Ukraine have run for their lives.

My heart races for them

as my body slowly disintegrates

and the world as we know it explodes and burns.

Annihilation a possibility.


Night is too dark

for sleep.



Future History

 

throwing out my history page by page

its power dimmed by decades

cleaning out my storage

giving, letting go, parting by a third

 

awakened to my former hyper life

aware of my hyper now

activities of daily living spiced

with painting

promoting poets, juggling ten sites

writing while the paint dries 

playing a drum now and then

interviewing writers or

recording events around me

chronicling, seeding

sharing what I might have forgotten by now

in my diminishing

 

I only save what quickens my heart or hugs me

as I slowly loosen grip on this plane

readying for leaving

 

my removable, renewable self 

calmed my fear of ending

even before the diagnosis

 

I ingest the chapters

the history of my life so far

sieving through me

heading to the big blend

the symbolic, hyperbolic

universal aum

 

© 2022 Belinda Subraman



 




Belinda Subraman has been published in 100s of magazines, printed and online, academic and small presses. In 2020 Belinda began an online show called GAS: Poetry, Art & Music which features interviews, readings, performances and art show in a video format available free at http://youtube.com/BelindaSubraman. Belinda is also an artist and recently took 2nd Place in the Sun Bowl Exhibit, the longest running art show in the Southwest, since 1949.

Tuesday, November 29, 2022

Tuesday, November 29, 2022" Gabriella Garafolo's "A Blue Conundrum"


 


Born in Italy some decades ago, Gabriella Garofalo fell in love with the English language at six, started writing poems (in Italian) at six, and is the author of Lo sguardo di Orfeo, L’inverno di vetro, Di altre stelle polari, Casa di erba, Blue Branches, and A Blue Soul.


A Blue Conundrum


To M. W.


Adrenaline high up the sky, you shocked-

Do not bend over me, night,

No need to, you’ve got lovers, right?

Fear, fear always digging her graves, souls,

Cold, and a silence you misplaced so long ago-

Just remove the sounds words echoed

When stalked by water,

Or fighting like no tomorrow with light-

And you, my cold, do not bite me tonight,

No need to, as souls, and a tousled desire

Don’t mind green, or silence-

As soon as they leave give birth

To life, and God, your last resource,

Give the sky his own fire, but, my soul,

Don’t set yourself on fire, not your fault

If days start whirling ‘round you,

Scalds, men, rejections, of no importance at all,

As you chose from the start colours

And plain books, certainly not love, nor limbs,

You just kept slicing shreds from renegade skies,

Dissenters, the lunatic fringe -

That’s why skies can’t grab you on the fly,

Nor can Sahara want you as a prophet-

Just an albedo of words

Breaking through stones, and boulders-

Dunno if she feels like a mother, but you inside

A place where they’re so keen

To come and meet you,

Questions, doubts, slip-ups

In a brand new creation:

A heavenly vault, foliage, that pearly white

Set to strike back at your soul.


© 2022 Gabriella Garafolo

Friday, November 25, 2022

Friday, November 25, 202: Emma Lee's "The Thread Back to Charlotte's Basement"


 

Thalia traced one of the hearts printed on the fabric of her skirt and cursed. There was now a red smudge on one grey heart. She licked the paper cut which had re-opened and found a plaster for it. Perhaps hearts would send the wrong message anyway. She picked up her phone to triple-check the time Luke was due. He’d suggested this café.

Would today show him as stalled in a slovenly middle-age or had he retained some of his teenage looks?

Thalia scrolled back through his messages. Essentially, he’d left the forces, settled into management and looked her up. An unusual name made her easy to find, for him anyway. Her mother hadn’t bothered, for which she was grateful. Thalia had replied. She’d drifted, settling in the town she’d gone to university in. There’d been no movie moment where she’d been transformed from ugly misfit to prom queen and swanned off on the arm of the guy everyone wanted to date.

She hadn’t brought an emergency spare skirt, a habit she was trying to get out of.

Luke’s first message had been a photo, a white sign with stark, upright black letters, Management reserve the right to refuse admission. A squiggly spiral like a length of string wrapped around a thick needle sat in the corner. He’d captioned it “Remember?”

She’d sent back an image: Charlotte’s written in white on a lilac background. The original sign was long gone, but her mock-up was close enough. The sign Luke had sent was the first thing she’d seen going into the club. She remembered the thread too.

Thalia looked up as the café door opened. His cheekbones gave him away. He wore a standard charcoal business suit under a black trench coat. Middle age hadn’t thickened him. His dark eyes carried a familiar glint of mischievousness. His hair was short and neat with flecks of grey at his temples. She returned his smile and gave him a brief hug. 

A waft of patchouli took her back to that basement where the scent was used to disguise the damp and disinfectant in the club where walls were painted as black as the unwritten and unspoken dress code. The night Luke had been on his own for once, she’d been wearing a corset belt to pull in the dress that had been two sizes too big, one of her mother’s cast-offs. Her friend suggested for the umpteenth time she ought to stand up to her mother. 

But her friend didn’t know what punishment her mother was capable of. One night, a five-year-old Thalia had woken up during the night. She had listened. The house had been quiet enough for her to hear the fridge humming, the clock ticking, but nothing else. She’d got up and gone to her mother’s room. It had been empty. She hadn’t been brave enough to actually put a light on, but had been able to see the flat bed. Thalia had gone downstairs, after she’d picked up her torch. There was no one in the lounge or kitchen either. She had tried the back door. It had been locked. The key, normally on a hook to the side of the door had been missing. 

She had gone to the front door. It too had been locked. She had got the small stool from the kitchen to stand on to check the shelf where the spare keys had been kept. The shelf had been empty. She’d shone her torch along the whole length of the shelf and checked underneath. No keys. 

She’d turned off her torch and had slumped back into bed. Being alone had been better than being told off but she hadn’t known what to do. “Don’t cry,” had been a mantra she’d used to send her back to sleep.

Thalia had learnt if her mother had not intended to be back by morning, the back door keys would be left on the hook. She would be expected to get dressed, snatch breakfast and post the keys back through the letterbox before going to school. She hadn’t dared tell anyone.

Her mother was like a mannequin: looked great but was hollow. Surely if you thought you’d grown up in your older sister’s shadow and hated wearing her hand-me-downs, you wouldn’t inflict that on your daughter? At least Thalia’s grandmother altered the dresses to fit. Her grandparents really had been struggling. Thalia’s mother didn’t have to, but she wanted a lifestyle she couldn’t afford. 

She blinked. Luke checked. Her cup was still two-thirds full. He went to get a coffee. She dropped back into her chair.

Thalia knew if she’d worn the dress her friend had worn that night, her mother would have laughed. She could hear her mother’s voice in her head on a continuous loop, “Why did you pick that?” What the question actually meant was “You’re wearing something I didn’t choose. It doesn’t create the right impression for me. Replace it with something I’ve given you.” All the while her mother would’ve laughed because Thalia crumbling with humiliation was funny. “It’s in your name, stupid. You’re the muse for comedy.” The only way out, as Thalia knew from experience, was to concede she’d made a lousy choice, that she was too incompetent to pick what to wear.

Now she did get to choose clothes. Today, a plain black long-sleeved top and grey skater skirt with heart-prints.

Luke was smiling at the barista. 

That night at Charlotte’s the first thing he’d said as he’d sat next to her was, “You know, that sign, I’m always nervous I won’t get in.” She’d known which sign he’d meant, but doors usually opened for him. She’d assumed he was being kind.

“You kept your hair long,” he commented as he sat down opposite her.

Thalia nodded. Like a horse’s tail, her mother had described it. A short thick fringe, then a veil of long, chestnut-brown hair down over her hips. So far, no greys.

“Tell me you talk a bit more these days.” He took off his coat and hung it on the back of the chair and put his arms on the table, hands embraced his coffee cup.

“A little.” She smiled. “Although talking less would be the greater achievement.”

“True. You were practically mute.” His easy smile again. “Maybe I shouldn’t have brought that up.”

“It’s OK.”

“You never let me buy you a drink back then either.”

“I couldn’t return the favour.”

“It wouldn’t have mattered.”

“That’s not the point.” OK, she knew she’d never bought him a drink, but he remembered. Was he going to chastise her now for something she didn’t do then?

“You were like everyone’s Alexa.” 

Thalia looked at him. His expression was kind. She wasn’t being criticised.

“Everyone had some story of how you solved their problem. But no one tried to solve yours, did they? I know, you didn’t expect anyone to understand. But I wanted to. I was on my own deliberately, hoping I could talk to you.”

Thalia took a gulp of cold coffee. How many years had it been? Yet her mother’s voice was still like a dose of tinnitus, “He’s only talking to you because no one else is here. He doesn’t really like you. Who could like you? You’re nothing. You’re unlovable.”

“None of us got it back then.” His voice was still gentle. “But, after my first tour, I came back OK, but some didn’t. I thought only soldiers got PTSD. I watched what they went through. I learnt how to help, how to support. But it seemed like I was seeing something I’d seen before and I couldn’t remember where. I got talking to some of the medics. Anything traumatic puts someone at risk. They told me what to look for, how people were affected.” He took a sip of coffee. “I’m sorry, I’m not explaining very well. It all seemed familiar but I couldn’t figure why.”

Thalia remembered his clumsy attempts to start a conversation with her as she sat teasing out a loose thread from her over-sized skirt in Charlotte’s. How much she’d wanted to tell him it wasn’t his fault, it was all hers. She couldn’t speak: she’d stutter, it would sound wrong. Anything not pre-rehearsed would derail her. She looked down and traced the reddened heart. She should have washed the blood out. She’d worn the wrong skirt again. 

“Thalia.”

She looked up. “Sorry.” She bit her lip.

He pushed the coffee cups to one side. “One day I saw your name. It was silly. It was a crossword clue, name one of the Muses. I had to look them up. I can’t remember which one was the right answer. But I remembered you.”

She looked at the door. 

Luke leaned back.

His movement got her attention.

“Please don’t leave yet. It took me far too long to figure out why your name mattered.” His arms were open. He’d lost his accustomed charm and looked concerned.

“You put two and two together.” She leaned forward, moving her hands onto the table. He wasn’t making fun of her.

He mirrored her and touched the plaster. “Hope that’s not serious.”

“It was bleeding earlier. It’s only a paper cut.”

He scanned her face. “I hope I’ve not made five. Your name makes you easy to find. And, yeah, it might seem weird after so long, and, for all I knew, you were married with kids of your own and might never want to know me again.”

“Is that how you saw me?”

Luke nodded. “Yes. I wanted you to be happy, to be loved and secure.”

“Isn’t that want everyone wants?”

“I wanted you to be too successful to bother with me.” He touched her hand again. “I guess I wanted to compensate. I searched. Money-wise, you’re secure. But you’re on your own. I’ve not been celibate, but every time it felt as if something was missing.”

Thalia shrugged. “Never met the right person. But neither did you.”

“Or perhaps you met him but he was too young and stupid to realise.”

“You’d have never dated me then.”

“I should have.” Luke smiled. “You don’t get it. You were more talented than any of us. There wasn’t a problem you couldn’t solve. But you thought you weren’t. It was like your mother sucked all the blood out of you every night and you spent your days trying to replace it. Like Charlotte’s used to cling on in that little basement while developers snapped up the buildings around it to convert them to modern luxury apartments we could only dream about affording. I wanted to know you better.”

“Neither of us can go back there.”

“I don’t want to. I sent that sign to see if you’d remember me.”

“I do. But you sent something with the sign.”

He touched her ring finger. “The thread.”

He’d taken the loose thread she’d unpicked from her mother’s dress and had tied the thread around her finger. She’d assumed she’d be tomorrow’s joke. But she’d never heard any of their school friends mention it. “I thought it was a joke. You could have had anyone.” 

Luke shrugged. “I didn’t want anyone. I wanted to get to know you. But you shut down every conversation I started. I’m not getting at you. I get it now. I couldn’t explain what I was doing back then.” He was still touching her finger. “Thalia, I wish I’d made more of an effort. It wasn’t a joke. I’d never tricked you.”

“The door mat in me couldn’t stop you.”

“Was it really just that?”

She heard his voice stutter. “No, I don’t think it was. Back then, I couldn’t be me. If we’d starting dating…”

“But now you’re you and I still want to get to know you. Coffee?”

Thalia smiled and nodded. He went to get refills.

The red blemish on her skirt caught her eye. She traced the heart it filled.


© 2022 Emma Lee








Emma Lee’s publications include The Significance of a Dress (Arachne, 2020), and Ghosts in the Desert (IDP, 2015). She co-edited Over Land, Over Sea, (Five Leaves, 2015),and was reviews editor for The Blue Nib, reviews for magazines and blogs at https://emmalee1.wordpress.com.

Friday, November 18, 2022

Friday, November 18, 2022: Carole Mertz's "For Beloved Family Members Who Skate Around the Perimeter"

For Beloved Family Members Who Skate Around the Perimeter


For those who wake to make breakfast quietly for the rest of the family

For those who keep troubled thoughts to themselves


For those who desist before complaining about the job undone

There is something you’ve learned that I’ve yet to learn


For your patience in waiting

For studying and sometimes marking time while waiting


For those addressing difficult dilemmas

without condemnation, while searching difficult answers


For you, who have fallen many times, and still get up

and sometimes try a new road


For you, stumbling in a new career

For you, taking chances

For you, enduring loss


For you who charge, sail, and dive

into churning waters


For you who skate around the perimeter

searching for the center


tasking yourself to unravel your business acumen

and discover unknown strengths


For you who extend your hands to lift another up and work

on worldly matters that confound


For you who scatter and then gather, for you who dare

to share. For you who leave the perimeter to embrace the center


For you who sit in a room alone with ease

For you who rebut injustice


For you who strive, rest, and laugh

For you who wait for the sunrise peeking over the hill


© 2022 Carole Mertz









Bio: Carole Mertz writes prose and poetry in Parma, Ohio. She is the author of Color and Line (Kelsay Books, 2021), a poetry collection, and is book review editor at Dreamers Creative Writing. Carole is a Pushcart Prize nominee and has published poetry with Abandoned Mine, Eclectica, Poetry Quarterly, The Ekphrastic Review, and elsewhere.