Thursday, July 25, 2024

Thursday, July 25, 2024: Susan Evans's "Memory of Red"

 walking home from school

on graveled Hopson Street,

past little white clapboards,

a memory of red

blood like a rivulet down my bare leg, and big sister

urged me off the ground,

her tiny frown and blond cocker spaniel

ponytails looking down at me.

and the blood was thick like warm paint,

like salty seawater,

and stopped and spurted on my white socks

for all the world like serious mistakes.

and I wailed over a galvanized wash tub,

as my mother poured a trickle of alcohol,

scorching my pale and trembling leg.

and the hot blood screeched into the tub,

like a red scarf of fear,

awakening my first doubt

that I’d have safe outcomes,

It was an early confirmation

that I’d better get tough

for the rocky road ahead.

and I remember the night

trains in Chester

uprooting, clattering and scooting

my Beautyrest across the room,

like coiled springs running

on bedrails.

and Don, after trying to hush

my moans, sang, “Like a freight train

running through the middle of my head,

woo woo,” in the dim blue afterglow.

but I don’t want to remember anything sad.

like Lonesome Bob and Willie’s stardust

on the blanket, his heart like a chunk of space rock


2


and hard as a meteor.

and I don't want to write about that picture

of the orange Van Gogh,

and his madness and night journey

and Granny and her vermillion roses,

putting her little shoes away.

Or how Great-Grandma, tiny as a matchstick,

said “Yes, lots of birds, and they shit all over my porch.”

I, too, clean up the nasty spills

of romantic droppings,

like bird shit.

I am an experienced victim,

and see through disguises,

see beyond my vanishing troubadour,

bard Marc of birds,

running from love

like an unarmed man being shot at,

wetting the tip of his magic pencil,

with a great flourish

offering his girl with the turquoise toenails

100,000 poetic words,

not one the one I wanted to hear.

but I no longer scarf down table scraps

leftover from of all the black knights,

the yesterdicks, that rode hard

in the direction of chilled wind,

that stole major energy and gave minor rewards,

leaving a bitter taste of rotten fruit in my mouth.

Now I make my own bread.

All I want is just one small plate of heaven,

I take heart.

Some nights, as silence like apple blossoms fall

from the sky of my ceiling

and evenings pink sunsets

trickle down like promises.

If I look into myself,


3


I see I’m a scarlet firebird,

and my burning body rises,

smoldering, but always new from its pyre.



© 2024 Susan Evans







Susan H. Evans lives in Baltimore, Maryland, and is a writer and former English professor. She enjoys writing poetry, creative nonfiction, and memoir, and is published in many print and online journals and magazines.


Thursday, July 11, 2024

Thursday, July 11, 2024: Lorraine Caputo "A Weeked Escape"





A Weekend Escape

 

This Saturday afternoon

I arrive at

highest tide.

 

An even roll,

an even roar

washes upon the

glittering strand

& foams around stilts

 

of houses abandoned

for the season …

Up on those porches

families unpack

their picnics.

 

In the foaming surf,

gulls gather around

fishermen picking

yet-live fish

from their nets.

 

In that foaming tide,

red crabs scurry

to holes dug into

the cool depths

of the sand.

 

& in that

yet-rising tide,

women dance.


© 2024 Lorraine Caputo



Lorraine Caputo is a documentary poet, translator and travel writer. Her works appear in over 400 journals on six continents; and 23 collections of poetry – including In the Jaguar Valley (dancing girl press, 2023) and Santa Marta Ayres (Origami Poems Project, 2024). She also authors travel narratives, articles and guidebooks. Her writing has been honored by the Parliamentary Poet Laureate of Canada (2011), and nominated for the Best of the Net and the Pushcart Prize. Caputo has done literary readings from Alaska to Patagonia. She journeys through Latin America, listening to the voices of the pueblos and Earth. Follow her travels at: www.facebook.com/lorrainecaputo.wanderer or https://latinamericawanderer.wordpress.com.


Thursday, July 4, 2024

Thursday, July 4, 2024: Kitty Jospé's "Someone's Birthday is Someone Else's Death Day" and "On the Other Side of Forever"

  Someone's Birthday is Someone Else's Death Day


“Whatever you see in other people is what you see in the mirror..."

-- James Baldwin

 

There is a silent S

in debris, but not in 

pieces,

                        and no S at all

for collectives like rubble, water

and only shifts of vowels

to change a singular

man, woman, child

into statistics of  

men, women, children.

 

Birth then death of a man,

a woman, a child.

Births.  Deaths.  

men, women, children.

 

English knows how to mute more

than K, assign G as soundless general

in assign.  Let us start with

the sounds of A absent in bread, thread

unavoidable in meaning when

hushed, dead.

 

There is the sound of S

in peace.  Simple, so ample

a sound, the silent a, e,

with no need for pluralizing 

everyone—

 

All is at one.


© 2024 Kitty Jospé




On the other side of forever

 

lies the possibility of feeling you belong,

having arrived in a place you never want

 

to leave.  On the other hand, lies

become mensonges, dreams once

imagined

                  that cannot mirror truth,

stop clouds from reflecting, turn

 

a loveless rock into the shape of a polished

heart ending up as precious reminder

 

in a lover's pocket.  Do you yearn for boundless-

ness that defies man-made maps, definitions?  Seek

 

the generosity of a tireless river lipping and lapping

beyond our self-made crosses of choices?

 

Some say there is

                                    nothing

                        like home — 

however you see it;

that no one can steal love you feel 

of your own.

 

Then again, on the other side

lies the mirror, the mensonge

you think you never want

to leave.  Or do you?


© 2024 Kitty Jospé



Kitty Jospé, retired french teacher, and art docent, enjoys how the sounds and play of language can assist more serious ideas. She is known for her teaching enthusiasm,  presentations that connect art and word inspiring collaborations demonstrating the uplifting power of art and word. A popular reader, her work appears in numerous journals, and seven books.  


https://foothillspublishing.org/jospe/

https://www.foothillspublishing.com/2021/jospe.html