Tuesday, May 4, 2021

Review of Deborah P. Kolodji's "Tug of a Black Hole"

shelter in place

the days when I feel 

like an astronaut

(from Tug of a Black Hole, Deborah P Kolodji)

     Deborah P. Kolodji’s new chapbook Tug of a Black Hole (© 2021, Title IX Press), is a chronicle of the author’s journey through the Covid 19 global pandemic. There are numerous other Covid 19 inspired poetry books being published, or coming out this year, but none that I’ve read, so far, contain the intimate and powerful verse Kolodji, a master haikuist, has crafted in the last 14 months.

   Tug of a Black Hole contains 20 scifiku, a form similar to haiku, but with science fiction as the theme, instead of nature. I would argue that most of these are still haiku, since many of the poems contain nature references, and space, while not considered a part of Mother Nature, is a part of nature. The 20 poems are composed in a tight and swiftly read sequence, with references to isolation, illness, and the frustration engendered from the feeling of not going anywhere, which are some of the obstacles many people encountered during the pandemic.

   The best thing about this, to me, as a poet, and lover of poetry, is that Kolodji takes these awkward muses, and employs them to her advantage. Each scifiku is crafted to perfection, with amazing visuals, which makes it easy to envision oneself as a passenger, on planet Earth, traveling the solar system. Tug of a Black Hole is both nostalgic and melancholy, as the farther the reader, as passenger, travels away from the center of ther origins, and themselves:

lace curtains 

in a spaceship window

things we can’t leave

ten years in space

the dish garden

in my cabin

    In the spaces between the scifiku, there’s much to ponder. Everyone will get something out of this little gem of an e-chapbook, but the wonder, and the inviting nature of Kolodji’s poems make this a book to go back to, if for no other reason than it’s excellent poetry.

Tug of a Black Hole, Deborah P Kolodji, © 2021 Title IX Press, Free to download, 16 pages

© 2021 marie c lecrivain


Monday, March 29, 2021

Women's History Month: Monday, March 29, 2021: Maria A. Arana's two poems "hungry fire" and "self terror"

                                                © 2021 marie c lecrivain

hungry fire…


hungry fire

quiet mist

dangerous goddess

come heave elaborate words

© 2021 Maria A. Arana






diamond is bitter juice

metallic bang

instead of

mechanical worship


machine before flesh

previous play


© 2021 Maria A. Arana

Maria A. Arana is a teacher, writer, poet, and proofreader. Her poetry has been published in various journals including Spectrum, Big Windows Review, The Kleksograph, and Cholla Needles Magazine. You can find her at https://twitter.com/m_a_Arana

Saturday, March 27, 2021

Women's History Month: Saturday, March 27, 2021: Deborah Edler Brown's "Testament"


I, being of sound mind and body, do hereby relinquish all hope of being other than who I am.

She put the pen down and looked at what she had written. It wasn’t her will she was writing, she realized, now that the words had hijacked her. It was her will. The cornerstone of will power and her much vaunted willfulness. Her will and testament: all she had to say about who she was and where she was going. And relinquish…that was the keeper. It sat well on the tongue.

I relinquish all right to opinions that are not mine, and all interest in opinions about me.

I relinquish any and all effort to make someone love me who does not, desire me who does not, or even like me. There is no perfume that will make me smell sweet to the wrong person, no shine that will make me his sunrise, not if he wants the moon. I surrender my need to be right, my need to be perfect, my need to be good.

I relinquish the knight in shining armor, the feeling that I’m owed something, the fear of failure and the fear of success.

I relinquish tomorrow, which will come on its own terms, and I relinquish yesterday, which is only shadow and scent. I empty my hands of all of my maybes and relax my fingers from perpetual grasping.

I relinquish the struggle, the blind cat fight I get into with everything I don’t understand. I surrender to the beauty of my soul’s own dream

This is my will and testament, and my will is thy will – the will of Spirit and my spirit – and I won’t let anything as small as my fearful personality fuck it up.

I sign here in faith and ink.


© 2021 Deborah Edler Brown



Deborah Edler Brown is an award-winning poet, writer, journalist, and author. Her work has appeared in such publications as Nimrod, So Luminous the Wildflowers, poeticdiversity, Altered Lanes, Blue Arc West, and Sisters Singing: Blessings, Prayers, Art, Songs, Poetry & Sacred Stories by Women. Her poem “Cubism” won Kalliope’s Sue Saniel Elkind Poetry Prize, and her fiction has been twice nominated for the Pushcart Prize. Deborah was born in Brazil, raised in Pittsburgh, and earned her degree in Creative Writing from Brown University. She resides in Los Angeles, where she is busy building communities among her characters and readers.

Friday, March 26, 2021

Women's History Month: Friday, March 26, 2021: Peggy Dobreer's poem "Echo & Cerberus"

Echo & Cerberus



My memories have a room of their own. A

hidden doorway leads through a domed maze,

a synaptic labyrinth in a black-out chamber.

Only the senses other than sight can Sherpa

these hallways, these trails of cosmic outlight.


And this impatient lunar transit with its retro

tiempo and respect for fractions, flattens me

cold as a treasure chest in a pirate’s nest. The late

leaving ship has disappeared from its mooring; no

message, no send-off, no bruja ha. Ahoy, old mate.


All manner of sticks and twig, detritus and

current, torment the channel’s flow. The smaller

the stream the greater the ripple. Storm tracking,

even double-paned won’t harness a flood.

Maybe rain or snow but no avalanche or


cyclone needs permission from Cerberus.

They attend and occupy, occupy and abandon.

Old shanty-once-throned, a lord’s estate covered

in cloth and web, dust and ghost. And memories

like seeping water in ancient, brick-knit furrows.

© 2021 Peggy Dobreer

Peggy Dobreer is a poet and former dancer/choreographer, who brings movement, meditation, visual craft and an enduring love of language to her E=Mc2Bodied Poetry Workshops.  She was a Program Director for AROHO2015, A Room of Her Own Foundation, and is assisting Janet Fitch in workshops at Community of Writers Online, formerly Squaw Valley Community of Writers. She mentors writers online.

Peggy has two collections of Poetry from Moon Tide Press: In the Lake of Your Bones 2012 and Drop & Dazzle 2018.  Her upcoming chapbook, Forbidden Plums, written during the first forty days of the Pandemic, is upcoming Glass Lyre Press.  She has two pushcart nominations, was a semi-finalist for the 2015 Jack Grapes Poetry Prize and was awarded the Downey Symphony Orchestra 2017 Poetry Matter’s Prize in association with NASA.

Peggy’s poems are featured in the first Aeolian Harp Folio Series, Glass Lyre Press, Vol. I and V, and she has been published in such journals as Cultural Weekly, The Rise Up Review, Pirene’s Fountain, For the Love of Words, Mas Tequilla Press, Malpais Review, and LA Yoga Magazine. She been interviewed for Poetiscape, The Nervous Breakdown, and The Poet’s Café on KPFK.

Thursday, March 25, 2021

Women's History Month: Thursday, March 25, 2021: Ann Tweedy's Poem "Night Strains"


                                              image from Shutterstock

Night Strains


last night, the nutria in the river interrupted 

my contemplation of the swooping little brown bat’s 

jagged ellipses and riffling wings. 

i wanted to stand on the bank and watch bat skim 

until night blended her completely in. 


but the nutria swam a little past me, then circled back, 

slapping her tail hard as she dove, then swam further off and back again 

to the small clearing i had climbed down to, repeating herself 

until i grasped my unwelcomeness and knew-- 

looking down at my smooth, bare legs-- 

i wanted no part of any battle. so i climbed back up the dike, 

dodging blackberry brambles. 


today, i learn of the campaign 

to trap and euthanize nutria and how aggressively 

they bite and scratch. in my mind, the guinea pig ears 

and upturned nose ride above the current, comical profile 

unaware of the danger i might pose or knowing 

that she has the better of me. 

© 2021 ann tweedy

Ann Tweedy's first full-length book, The Body's Alphabet, was published by Headmistress Press in 2016. It earned a Bisexual Book Award and was a finalist for a Lambda Literary Award and a Golden Crown Literary Society Award. Ann also has published three chapbooks: Beleaguered Oases (2nd ed. Seven Kitchens Press 2020); A Registry of Survival (Last Word Press 2020); and White Out (Green Fuse Poetic Arts 2013). She currently serves as a law professor specializing in the laws relating to Native American Tribes. Read more about her at www.anntweedy.com.

Wednesday, March 24, 2021

Women's History Month: Wednesday, March 24, 2021: Nydia Rojas' poem "Until This Moment"

                                                   © 2021 marie c lecrivain

Until This Moment


Forget everything you’ve known

until this moment- the unblemished

apples- smooth and shiny-


the tempting oranges- their peel

bright and warm as if sunshine

had just discovered them-


the luscious strawberries, their deep

red, looking as if it had just come

from a farm located at the edge


of town, not from distances

involving days of traveling

through several highways.


Forget breathing is the task

that keeps you alive- what helps

you face each day-


your face exposed to rain, to snow,

to chilling winds, to a warm spring

carrying a kiss-


Forget that breathing used to be

what you did naturally, besides those

other busy tasks- going


to the grocery store for milk

and bread- always aplenty- until

this moment – or the drugstore


if you needed refills or beauty

products- or the hair dresser-

another way of buying beauty


or walking to the park without

having to worry about doing the math-

particularly measurements.


You walked- end of the story.

Summer had the added beaty

of wild sunflowers


in bloom- but now you must look back

and front, measure and keep your distance

and when you come to the sunflowers,


they seem to be the only ones around,

the only ones that will hear your voice-

and the wind swirls around the blossoms


as if gathering strength to echo your thoughts-

Thank God for blooming things

that do not mind our touch.

© 2021 Nydia Rojas

Nydia Rojas’ work has been published, among many other literary magazines, in the Wisconsin Academy Review, International Poetry Review, Revista/ Review Interamericana, and Palabra. Her work has also appeared on line in poeticdiversity, Your Daily Poem and Rigorous and in the anthologies Between the Heart and the Land: Latina Poets in the Midwest and I didn’t know there were Latinos in Wisconsin. She is the author of the chapbook Stealing Daylight.

Tuesday, March 23, 2021

Women's History Month: Tuesday, March 23, 2021: Ilari Pass' poem "Cloudy With a Chance of Cello"


Cloudy With a Chance of Cello


I sit in the living room with my mother to work out

my anxiety

the way it tastes and feels, I thought I wanted to be everything

all at once

my teacher brags that she’s found

that Golden Ticket

my peers listen in for rumors, launch them as a curse

when chocolates

not passed around It’s just for show, I explain to my mother,

explaining nothing

last night

I was out of my skin to try on my favorite dress 


I thought. I laugh when my mother stares at me

on stage

everything all at once: mise-en-scène behind me holy

I miss my cue

when the conductor breathes; her baton a semaphore;

a single note

struck upon my cello; my mother smiles, grateful that I wasn’t aware

was out of tune

of all the ways to enter, my mother

calls for

Cloudy with a Chance of Cello, and I am ready to go home.

© 2021 Ilari Pass

Ilari Pass holds a BA in English from Guilford College of Greensboro, NC, and an MA in English, with a concentration in literature, from Gardner-Webb University of Boiling Springs, NC. Her work appears or forthcoming in Rat's Ass Review, As It Ought To Be, Triggerfish Critical Review, Kissing Dynamite, The Daily Drunk, Unlikely Stories, Rigorous Magazine, The American Journal of Poetry, Common Ground Review, Free State Review, Rejection Letters, and others.