Friday, May 1, 2026

Friday, May 1, 2026: Lynne Bronstein's "Tangelo Winter"

Tangelo Winter

There are still tangelos on the tree, at this late date in February. Some soft large

ones have fallen on the ground; some that are high in the tree will be eaten by

racoons. I have gathered many of these fruits, pale and deep orange, some easy to

peel, some with few seeds, and some so seedy they might as well be cheremoyas. I

am thankful for the free fruit and for the mixture of sun and rain that brought on

such a rich harvest this year. It may be the most memorable thing about this winter,

which has been full of turbulence in the world, and which has brought some sorrow

to this house. I longed for treats with no trouble, fruit that was sweet with no

annoying seeds, even as I knew that the knobby seeds, like the more annoying and

painful aspects of life, are what bring on another season of fruit for us to eventually

enjoy.


Tangelo winter

Ripe rich fruit for the picking

Reward not asked for.


© Lynne Bronstein





Bio: Lynne Bronstein is the author of Nasty Girls (Four Feathers Press) and four

other books of poetry. She has been published in magazines ranging from Playgirl

to Chiron Review, from Lummox to anthologies in England, Ireland, Israel,

Canada, and India. Her short fiction has appeared in magazines and anthologies

and has been read on National Public Radio. She also writes a column on Facebook

and Substack called Show Biz Cats.


Friday, April 17, 2026

Friday, April 17, 2026: Three Works of Art by Lorraine Caputo

 

                                                         "Calingasta"



                                                      "Noche de otoƱo"




                                               "Star in the Palm"



© Lorraine Caputo


Wandering troubadour Lorraine Caputo is a documentary poet, translator and travel writer. Her works appear internationally in over 500 journals and 24 collections of poetry – including Orinoco Plains (dancing girl press, 2025) and Santa Marta Ayres (Origami Poems Project, 2024). She also authors travel narratives, articles and guidebooks. She is a Parliamentary Poet Laureate of Canada honoree (2011), and Best of the Net and Pushcart Prize nominee. Caputo has done literary readings from Alaska to the Patagonia. She journeys through Latin America with her faithful knapsack Rocinante, listening to the voices of the pueblos and Earth.

Friday, April 10, 2026

Friday, April 10, 2026: Marjorie R. Becker's "Retain the Light"

 


Retain the Light


And it is song toward gemstones,

gemstones wild with heat and their prolong

as song remembers kinds of kindness we the Lavenders


and all the other sighing, shyest women winking,

blinking off the cruel travails of plunder near

the central sudden sea of being where


we as singers claim, maintain, retain

the light of harbor hope and home for those alone

until we sing and bring about


the bluest, azure helpful sky to sigh the light,

reply by night and dawn.


© Marjorie Becker


Bio: “I am a Macon, Georgia native, a professor of history and English at USC. I am fortunate enough to be the author of eight books, three of which are poetry collections, including The Macon Sex School: Songs of Tenderness and Resistance.  My poetry and critical theory have been widely published, and I am one of the founding members of the Venice Poetry Collective.”

Friday, April 3, 2026

Friday, April 3, 2026: Cindy Weinstein's "Empty Hands" and "The Tower"

Empty Hands


I am haunted by the ghost of my living son.


I am mourning the loss of my child not yet passed.


Somewhere, somehow, deep in the web of city streets

his body of flesh goes on,

carrying the spark of who he once was…

who he might have been.


There has been no memorial to remember.

No one to speak of his loving sweetness,

his kindness,

his generosity,

his open heart.


There are no loved ones gathered around.

No condolences, no words of sympathy.

There is no grave to visit,

no stone,

no urn,

no candle to light.


There is only

my empty hands,

finally letting him go.


© Cindy Weinstein





© marie c lecrivain




The Tower


Someone ripped holes in all the metaphors

and now the artists have nothing to paint but

the naked truth.


Someone tore apart all the dreams

And now the prophets have no heaven,

Only stark reality.


The sidewalk is cracked.

The stairs are broken.

The roof is leaking.

The rats are eating the crumbs in the cupboard.

We’;re banging on pots and pans

In the kitchen.

We’re shooting off M80s

On the concrete

In the desert.

We’;re making an unholy racket.


The cacophony is a continuous thread.


Screams of the mother.

Cries of the babe.

Moans at the climax.

Wails at the abyss.

Whimpers in the dark.

Shrieks in the flame.

Howls in the air when the white bones fall.


The metaphors cannot be sewn back together.

The dreams will never be rewoven.


The sidewalk is cracked.

The mother screams.

The stairs collapsed.

The babe is wailing.

At the crash of the climax the rain pours in.

The rats are eating the bones at the bottom of the abyss.

So now the artist paints without guile, while

The prophet dances in the corner bar

To the clanging of pots and pans.


In the holes in the metaphors

In the space between life and dream,

In the heartbeat under all the voices

In the heart beat


Under the heart beat

Under the heart beat

is truth

is reality

is love.


© Cindy Weinstein




Cindy was born and raised in upstate NY. After college she moved to Washington DC where she established her career, her art, and her family. She came to Los Angeles in 1993 with her two young children and stayed until she immigrated to the desert of Joshua Tree in 2017. She has been writing, reading and performing her poetry off and on since she was 17. She has been published in a number of Los Angeles anthologies including Poetic Diversity as well as in Cholla Needles and the Joshua Tree Voice.


Friday, March 27, 2026

Friday, March 27, 2026: Lorraine Caputo's "Ere the Solstice Dawn"

 



Ere the Solstice Dawn

 

‘Neath the pearly light

of Venus & a crescent moon

 

a procession ascends

this cobblestone street

 

the Virgin’s portrait atop

two men’s shoulders

 

chanted prayers echoing

in the early morn


© Lorraine Caputo



Wandering troubadour Lorraine Caputo is a documentary poet, translator and travel writer. Her works appear internationally in over 500 journals and 24 collections of poetry – including Orinoco Plains (dancing girl press, 2025) and Santa Marta Ayres (Origami Poems Project, 2024). She also authors travel narratives, articles and guidebooks. She is a Parliamentary Poet Laureate of Canada honoree (2011), and Best of the Net and Pushcart Prize nominee. Caputo has done literary readings from Alaska to the Patagonia. She journeys through Latin America with her faithful knapsack Rocinante, listening to the voices of the pueblos and Earth. 


Friday, March 13, 2026

Friday, March 13, 2026: Jackie Chou's "America"

 



America 


“When can I go into the supermarket and buy what I need with my good looks?”-Allen Ginsberg 


America I have exhausted my good looks 

at a dance studio in Eagle Rock


America I am no longer eighteen

dreaming of defending the innocent 


America your law school admission test

is too difficult for me


America I am on social security disability income 

that won't buy me an ice cream cone


America I subsist on instant coffee


America I am not hirable

because nobody wants a schizo-affective


Even if anyone does

I have no driving privilege 

to get to work 


America the public transportation 

in Los Angeles 

is inefficient 


America I hope no one stabs me from behind

like what happened to Iryna Zarutska 


America bless her angelic soul


America I am nobody 

and so nobody cares about

the flip of my skirt in the updraft 


America I am no Marilyn Monroe


© Jackie Chou


Jackie Chou (she/her) is a writer from Southern California who has two collections of poetry, The Sorceress and Finding My Heart in Love and Loss, published by cyberwit. Her poem "Formosa" was a finalist in the Stephen A DiBiase Poetry Prize. She also has poems published in Synchronized Chaos, The Ekphrastic Review, Panoply Zine, Alien Buddha Zine, and Spillwords.


Friday, February 27, 2026

Friday, Feb, 27, 2026: Two Tanka by Barbara Anna Gaiardoni

 Tanka 1 

Inspired by the Yellow Wax stone "The Great Overhang"

New Year's Eve 

in the dim light 

of the room 

the wind writes stories 

in our voids

(Originally published in VSANA, January 2026 - Link: https://www.vsana.org/ppp-44-jan-1--26)



Tanka 2 (Unpublished)

spring protest 

chocolate flowers 

in the guns 

my boots started 

to splosh


© Barbara Anna Gaiardoni


Barbara Anna Gaiardoni is an Italian pedagogist and author. Her Japanese-style poetry has been published in various magazines and translated into 12 languages. A winner of the 7th Basho International English Haiku Competition and a two-time Touchstone Award nominee (2023, 2024), she was recently named among the European Top 100 most creative haiku authors in 2025. Her work has consistently featured in The Mainichi’s "Best of" lists and received Honorable Mentions at the Fujisan Tanka Contest (2024, 2025). 

Drawing, swimming in the sea, and walking in nature are her passions.