Friday, January 27, 2023

Friday, January 27, 2023: Miriam Sagan's "What I Forgot to Say" and "What I Forgot to Say to Mother"

 What I Forgot to Say



  I like your hair. I’m sorry I mentioned your hair. Hair is a dangerous topic between mother and daughter. If I notice you have hair, before I know it might I not be demonically possessed by an evil Jewish mother, saying: “pull your hair out of your face. You are so pretty, why don’t you…” and “you call that a haircut?”

  I forgot to say: keep away from junkies. Sorry. I actually know I’ve said this over and over. I myself failed. Once when you were a baby I found myself—and you too—in an SUV in a skanky part of Burque as a drug deal went down. The driver, buying the drugs, was a friend of your father’s, and a punk rocker. They were in a band.

  “Why didn’t you take the baby and just walk away?” my therapist confronted me. In that neighborhood? Before cell phones? I sat tight, but even now I feel bad about it.

  The Death Doula asked me, over a chai latte at Java Joe’s on Siler, if I was writing people letters. It’s odd—I’ve embroidered Grainne two pillowcases and I’ve written Rich a letter. But not you. Have I told you enough that I think you are brilliant and a genius artist and a great mom? Have I mentioned that your hair used to really annoy me, particularly the half-shaved head in high school? Maybe it is better for me to shut up, and just assume you know how much I love and admire you. After all, what is a daughter if not a letter, a letter to the future, a letter against the patriarchy, a letter on stationary embossed with mermaids and octopi. What is a daughter if not blue ink floating on water, ink that will make an incredible pattern, both predictable and completely new and mysterious.


***


What I Forgot to Say to My Mother


  Shut up and leave me alone. Stop telling me I am so fat I look pregnant. Stop telling me I look like a whore in my mini-skirt. Just stop.

  But I was too inhibited to say these things, too frightened, too pressured. My mother would scream and get hysterical and I’d just take it, suck it up, patch it up, smile at dinner.

  Some people leave the families they were born into and don’t look back. Yes, I could have done that. I ended up with an uneasy compromise. I left home the day after high school graduation. I told my mother only lies from my mid-twenties on. Yet there was some friendliness between us. I don’t regret that, but it also isn’t something I’m proud of. When she cleaned out the 17 room house she lived in for over fifty years she found all the cards I’d sent and all the pretty presents: the glass blown fruit, the vase embossed with lily pads and dragonflies, the amber beads. “You did care,” she said to me in a tone of nasty wonderment.

  Now that I’m old and dying I have no idea what she wanted from me. She one told me how she hated it when I learned to walk, and then toddled away from her. My natural curiosity was an insult, an abandonment. Mean as she was, I wasn’t discouraged from having my own child. I just thought it would be difficult, very difficult. I thought children would bring out the desire in me to slap, to hurt, to control. But I would fight hard against the desire to inflict harm.

Imagine my shock when my daughter was born and I felt no urge to hurt her. In fact, I just wanted to enjoy her, make her smile, and keep her cozy. This wasn’t just a good feeling—it was horrifying. I’d just assumed motherhood was overwhelming and beyond annoying. Then I found it delightful. It was therefore my mother, after all, who had indulged her own anger. Not my small helpless self that had caused it.


© 2023 Miriam Sagan






Miriam Sagan is the author of over thirty books of poetry, fiction, and memoir. Her most recent include Bluebeard's Castle (Red Mountain, 2019) and A Hundred Cups of Coffee (Tres Chicas, 2019). She is a two-time winner of the New Mexico/Arizona Book Awards as well as a recipient of the City of Santa Fe Mayor's Award for Excellence in the Arts and a New Mexico Literary Arts Gratitude Award. She has been a writer in residence in four national parks, Yaddo, MacDowell, Gullkistan in Iceland, Kura Studio in Japan, and a dozen more remote and interesting places. She works with text and sculptural installation as part of the creative team Maternal Mitochondria in venues ranging from RV Parks to galleries. She founded and directed the creative writing program at Santa Fe Community College until her retirement.

Friday, January 20, 2023

Friday, Jan 20, 2023: Jeanie Greenfelder's "Childhood Garden"

 Childhood’s Garden      

 

Back when a star was something to wish on,

all I knew was family, friends, home, 

street, and the-corner-grocer Mr. Wolf.


Dogs were dogs and kept in yards, and children—

just kids. We knew not to tell parents

what we did, and they did not want to know.

 

Happiness was finding an empty soda bottle

to return for a two-cent deposit and hearing

Mr. Wolf’s fingers tap as I pondered penny candy.

 

Walls were for playing catch, steps for jumping,

sidewalks for scooters or hopscotch, fences for 

climbing, and time was for finding four-leaf clovers.


Hardships were a rainy day, having to pull weeds,

getting called in during a game of hide and seek, 

a skinned knee, a ball sliding down the storm drain, 

 

losing my house key, swallowing a fish bone, 

no one to play with, being called names, 

or Mr. Wolf out of bubble gum.

 

I miss the garden.


© 2023 Jeanie Greenfelder



 




Bio: Jeanie Greenfelder’s poems have been published at American Life in Poetry, Writer’s Almanac, and Poetry Foundation’s Poem of the Day; in anthologies: Paris, Etc., Pushing the Envelope: Epistolary Poems; and in journals: Miramar, Thema, Askew, Persimmon Tree, and others. She served as the San Luis Obispo County poet laureate, 2017,18. Jeanie’s books are: Biting the Apple, Marriage and Other Leaps of Faith, and I Got What I Came For. jeaniegreensfelder.com



Friday, January 6, 2023

Friday, January 6, 2022: Two poems by Maria A. Arana

hungry fire… young woman

 

hungry fire

quiet mist

dangerous goddess

come heave elaborate words

to a young woman

stabbed beauty

playing a game of fright

sick of the storm

running across the sea

 

© 2023 Maria A. Arana

 





you watch me from your window

 

forgetting I am smoke

whose embers

still burn

all that touch

my image

can you see the change

and want the same space


© 2023 Maria A. Arana






 Maria A. Arana is a teacher, writer, poet, and editor. Her poetry has been published in various journals including Spectrum, The Gonzo Press, and The Kleksograph. You can find her at https://twitter.com/m_a_Arana and https://aranaeditingservices.com

Tuesday, December 13, 2022

Tuesday, December 13, 2022: Jan Steckel's "Being Disabled in a Pandemic"


One of my two best friends is a butch lesbian I’ll call Jess, the other a straight man I’ll call Will. We’ve all known each other for thirty years, since we were students together in medical school. Jess is still a doctor, but Will and I left medical practice years ago. At the pandemic’s beginning, all three of us were on the same page, advising each other what precautions to take. Jess took a few more risks than I because she’s younger and in good health, but we all shared the same consensus scientific reality. 

Soon, however, Will started sending me articles about herd immunity and the uselessness of masks. Previously sympathetic toward trans people, he became obsessed with trans women, lurking on their message boards. He gobbled up and vomited out at me trans-exclusionary radical feminist talking points. He expressed the fear that trans women would trick him and other straight men into thinking they were “real women” and having sex with them. 

While Will had always been economically conservative, he had also been reasonably socially progressive. Now he ranted against Black Lives Matter and progressive protestors in his city of Portland. He called teachers cowards for wanting more protections before returning to the classroom. He boasted that he deceived the people into thinking he was wearing a mask by using a cloth mask with a hole in it concealed by a fabric flap, designed for playing woodwinds. I was appalled; to me that bordered on assault and made me think he was unhinged. He called the governor of his state a misogynistic slur for imposing public health measures. He began to troll me relentlessly, deliberately trying to get a rise out of me, to the point where I could no longer speak with him and dreaded his texts.

When I told Will I thought he had undergone a personality change, he said he was filled with rage because the world had gone insane with fear of Covid. He had diagnosed himself with two serious medical conditions that can be aggravated by stress but refused to seek medical care, declaring “I am not a patient.” When I pointed out that either condition could cause vascular problems in his brain that might cause personality changes, he lashed out at me for identifying as disabled, texting “Being ill, fearful of illness, and dependent on medical care is part of your self-image… Why do you call yourself ‘horizontal poet’ on social media? Is that the first thing you want people to know about you, that you’re partially disabled? The sobriquet would fit better if you were quadriplegic. You don’t begin to have an idea how much I hate it and what it does to you. Why do you gravitate toward people with disabilities of all kinds? You seem to want to cast me in the role of one of your frail, fearful, dependent friends….”

Most of my disabled friends are actually emotionally stronger and more resilient than Will, who now subscribes to ableist body fascism along with all his other repugnant beliefs. I was as horrified by the changes in Will as by the deaths of a dozen friends and acquaintances during the pandemic. I feared his personality change might be due to early dementia or mental illness, perhaps even brought on by a case of Covid.

Then, on February 19, Benjamin Jeffrey Smith shot and killed Brandy “June” Knightley, a 60-year-old queer, disabled, female, progressive activist in Portland, and wounded five other women. One of the wounded women was paralyzed from the neck down. The unarmed women had been directing traffic away from a protest against the killing of Amir Locke, a black man shot by police executing a no-knock warrant for someone else. Unlike the 2017 murder of Heather Heyer by a Neo-Nazi in Charlottesville, national media never covered June Knightley’s murder much. Maybe killing protesters had become the new normal, or maybe it was because June Knightly wasn’t young and walked with a cane. I already knew older disabled women were invisible, but the nation’s pandemic response really brought home to me how little anyone cares if we die.

The views espoused by the shooter were uncomfortably close to those now held by my erstwhile friend Will. Smith was a fan of Andy Ngo, a right-wing pseudo-journalist who demonized the protestors. Will is also now a fan of Ngo’s. I’m a year younger than Knightley, and like her I’m disabled, queer, progressive, and activist. My longtime friend is a gun owner like Smith. If someone had told me it was Will who had opened fire, part of me wouldn’t have been surprised, so incandescent is his rage. I could have been the woman he killed.

Jess and her family eat dinner monthly with me and mine, usually outdoors. On lawn chairs around the propane heater, we turn Will’s transformation and the killing of June Knightly over and over. In the isolation that the pandemic engendered, how could we have prevented online radicalization? How do we protect the right to assemble against stochastic terrorism? How do we come back from this? I haven’t asked Will about Knightley’s murder, perpetrated not far from his house. I don’t want to know what he thinks.


© 2022 Jan Steckel



Jan Steckel left a busy pediatric practice caring for mostly Spanish-speaking

children to work as a poet, writer, and medical copy editor. She is Jewish,

bisexual, and disabled by chronic pain. Her poetry book The Horizontal Poet

(Zeitgeist Press, 2011) won a 2012 Lambda Literary Award. Her fiction chapbook

Mixing Tracks (Gertrude Press, 2009) and poetry chapbook The Underwater Hospital

(Zeitgeist Press, 2006) also won awards. Her fiction and poetry have appeared in

Scholastic Magazine, Yale Medicine, Bellevue Literary Review, Canary, Assaracus,

and elsewhere.

She lives in Oakland, California.

Tuesday, December 6, 2022

Tuesday, December 6, 2022: Belinda Subraman's "4:00 a,m., again," and "Future History"

4:00 a.m. again


and no sleep

I tried forest sounds

including a stream and an owl.

I tried happy tv

traveling, remodeling 

other animals in their habitat.


I tried counting breaths

and soft music.


I tried acupressure

and the mantra

“be here now”


I tried silence

and the static was deafening


Pills aren’t working.


My recurring depression

blossoms in a toxic reality.

I tuned into WW3

thinking avoiding it was not working

and that didn’t work either.


Over 3 million refugees 

from Ukraine have run for their lives.

My heart races for them

as my body slowly disintegrates

and the world as we know it explodes and burns.

Annihilation a possibility.


Night is too dark

for sleep.



Future History

 

throwing out my history page by page

its power dimmed by decades

cleaning out my storage

giving, letting go, parting by a third

 

awakened to my former hyper life

aware of my hyper now

activities of daily living spiced

with painting

promoting poets, juggling ten sites

writing while the paint dries 

playing a drum now and then

interviewing writers or

recording events around me

chronicling, seeding

sharing what I might have forgotten by now

in my diminishing

 

I only save what quickens my heart or hugs me

as I slowly loosen grip on this plane

readying for leaving

 

my removable, renewable self 

calmed my fear of ending

even before the diagnosis

 

I ingest the chapters

the history of my life so far

sieving through me

heading to the big blend

the symbolic, hyperbolic

universal aum

 

© 2022 Belinda Subraman



 




Belinda Subraman has been published in 100s of magazines, printed and online, academic and small presses. In 2020 Belinda began an online show called GAS: Poetry, Art & Music which features interviews, readings, performances and art show in a video format available free at http://youtube.com/BelindaSubraman. Belinda is also an artist and recently took 2nd Place in the Sun Bowl Exhibit, the longest running art show in the Southwest, since 1949.

Tuesday, November 29, 2022

Tuesday, November 29, 2022" Gabriella Garafolo's "A Blue Conundrum"


 


Born in Italy some decades ago, Gabriella Garofalo fell in love with the English language at six, started writing poems (in Italian) at six, and is the author of Lo sguardo di Orfeo, L’inverno di vetro, Di altre stelle polari, Casa di erba, Blue Branches, and A Blue Soul.


A Blue Conundrum


To M. W.


Adrenaline high up the sky, you shocked-

Do not bend over me, night,

No need to, you’ve got lovers, right?

Fear, fear always digging her graves, souls,

Cold, and a silence you misplaced so long ago-

Just remove the sounds words echoed

When stalked by water,

Or fighting like no tomorrow with light-

And you, my cold, do not bite me tonight,

No need to, as souls, and a tousled desire

Don’t mind green, or silence-

As soon as they leave give birth

To life, and God, your last resource,

Give the sky his own fire, but, my soul,

Don’t set yourself on fire, not your fault

If days start whirling ‘round you,

Scalds, men, rejections, of no importance at all,

As you chose from the start colours

And plain books, certainly not love, nor limbs,

You just kept slicing shreds from renegade skies,

Dissenters, the lunatic fringe -

That’s why skies can’t grab you on the fly,

Nor can Sahara want you as a prophet-

Just an albedo of words

Breaking through stones, and boulders-

Dunno if she feels like a mother, but you inside

A place where they’re so keen

To come and meet you,

Questions, doubts, slip-ups

In a brand new creation:

A heavenly vault, foliage, that pearly white

Set to strike back at your soul.


© 2022 Gabriella Garafolo