Showing posts with label National Women's Month. Show all posts
Showing posts with label National Women's Month. Show all posts

Friday, April 22, 2022

Friday, April 22, 2022: Lisa Marguerite Mora's prose piece "Velocity"

I felt powerless as a child. My family was unusual, especially my mother. We didn't do things as other families did. Odd, eccentric, my family was actually kept afloat by the vivacity of my mother who had a need for endless creative expression. Music – Debussy and Chopin on the gramophone, The Beatles on her transistor radio – art – her art, her canvases and drawings stacked against the living room walls. And our home was never beige. She picked vibrant colors to decorate our beachside apartment and romantic touches that probably looked quite strange. But to me as a small child, I thought it was fun. She brought enchantment to my life.

Later, as I got to that age where you desperately want to fit in, I hid my mother. And our poverty. Our cold rooms. I hid my parents' struggle with their trauma and mental illnesses brought upon them by the Second World War. My fire was banked and my creative expression which I inherited from her and also from my father --- but that's another story – lived quietly in me like coals. Dark and hot and unseen. I wrote and wrote and wrote. I read. Quietly. Voraciously. Silent on the rubber soles of my tennis shoes I made my way across the cool linoleum of the local library. Studied the shelves, the titles, choosing almost by intuition what books I would read next. Three, four a week. I had no guidance. Except my mother did encourage me to read Jane Eyre. And I found the hardcover on the shelves of the Children's section and it pulled me, its thick pages, its blunted corners, its heft. I didn't understand everything. The sentences were often a mystery. I was ten. I persevered.

I felt powerless as a child to the difficult circumstances of my family life. So, I stoked what mattered to me in words. I shoved the spoken word deep inside me, though I loved to sing. I sang in Chorus. But often didn't anywhere else, though I could hear the melodies, the layers, the harmonies in my head. They'd travel through my finger tips as I lifted my hands sculpting the music silently in the air when I was by myself at home. Eventually I learned to dance. No. I already knew how to dance. Just like it seemed I already knew how to read by the time I got to school. And I knew how to sing. These mysteries unfolded quickly. And I thought for me, maybe this side of life could be easier. These gifts had raised me in the eyes of those who were watching. But you come in with deficits to balance what may be extraordinary in you. I longed to be well-rounded. Later, and at a cost, I found that was just another term for mediocrity and a tamping down of vitality. The road to a kind of purgatory often labeled depression.

Well-rounded meant you could speak a smattering on many subjects and be comfortable in all kinds of company and not stick out. Which kept you safe. Well-rounded meant you had white straight teeth and an easy expression. Comfortable in your skin. Well-rounded meant a balanced kind of limited power. But that is not the kind of power I have. The scales weigh heavy on one side and if you ever think they do not, then I have fooled you.

I wonder if within my black coals of heat and fire, if there is a diamond yielded yet from that weight, that pressure. For a long time I did not know this is what could happen with the progression of time and evolution. We live at the speed of 67,000 miles per hour around the sun. It is this dance with the sun and this struggle with gravity that keeps us alive. I am the balance of trauma and healing, gifts and deficits, shame and love. The balance of a human being who lives with immense gravity and tremendous speed. My power is in the tension of the bow that pulls and pulls and pulls so far back into the shadows – stockpiling velocity, aiming for the light.

© 2022 Lisa Marguerite Mora







Lisa Marguerite Mora has been published widely including in Chiron Review, Rattle, Literary Mama, Public Poetry Series, California Quarterly, Rebelle Society, Serving House Journal, Galway Review, Lothlorien Poetry Journal, semifinalist Tom Howard Poetry Contest 2020, First Place winner Micro Fiction for Dandelion Press. Nominated for Best of the Net and a Pushcart Prize. She can be contacted through https://www.lisamargueritemora.com where she offers literary services.

 

Tuesday, April 19, 2022

Tuesday, April 19, 2022: Patricia Carragon's poem "Solitude"





Eugene Robert Richee/Deutsche Kinemathek - Marlene Dietrich Collection Berlin / Courtesy of the National Portrait Gallery



Solitude


Solitude plays film noir—

her haute couture wears despair

like satin pumps.


She is Marlene Dietrich—

elegant black feathers

cast a veil across her face.


She walks beside me—

extends in sunlight,

moves inward at night.


She is like me,

can survive

without your support.


She sits beside me,

explains that not all firestorms

are alike,


that dark rainbows

come in various shades

of lies and abuse.


Billie Holiday

sings a silent prayer

for you to return.


The room’s stillness

collides with the one within—

a storm brews between the past and present.


Solitude argues with night,

and the gap between logic and absurdity

makes this room smaller than it is.


© 2022 Patricia Carragon



Bio: Patricia Carragon latest books from Poets Wear Prada are Meowku and The Cupcake Chronicles, and Innocence from Finishing Line Press. Ms. Carragon hosts Brownstone Poets and is the editor-in-chief of its annual anthology and is an executive editor for Home Planet News Online. She lives in Brooklyn, New York.

Tuesday, April 12, 2022

Tuesday, April 12, 2022: Deborah P. Kolodji's poems "The Way She Churned Butter" and "The Empty Mug"

 The Way She Churned Butter

 

cedar chest

 

                     estate sale                   

                     the price we put

                     on things

 

my grandmother’s story

 

                     sepia photo

                     her smile doesn’t reach

                     her eyes

 

about each quilt scrap

 

                     underwear drawer

                     the gun we didn’t know

                     she had

 

© 2022 Deborah P. Kolodji

 

 

Empty Mug

 

 

Cooper’s hawk

 

                     the absence of birds

                     around the feeder

                     unsettled quiet

 

all my troubles seem

 

                     so far away

                     the vivid footage

                     of bombed cities

 

so small

 

                     fallen plum blossoms

                     my place in the world

                     no longer certain

 

© 2022 Deborah P. Kolodji

 




Deborah P Kolodji is the California Regional Coordinator for the Haiku Society of America.  Her book of haiku and senryu, highway of sleeping towns, won a Touchstone Distinguished Book Award from the Haiku Foundation.  Her 2021 e-chapbook, tug of a black hole, is available as a free download: https://e7b207b8-f70d-4a2b-9a92-95e280e7fb92.filesusr.com/ugd/8a417d_31b9e61a29aa4a5290d90d02c869f714.pdf .  She enjoys exploring botanic gardens, beaches, mountains, and deserts for inspiration and can be found on Facebook (https://www.facebook.com/dkolodji/)

Saturday, April 9, 2022

Saturday, 04/09/22: Kayla Marie Williams' poem "Inflation"







My mother once carried

a stack of credit cards bound together by hair ties,

storming her way into stores,

pretending we weren't poor.


I’ve never been good at pretending,

though at times I have used language

like a hacked keycard at a fancy hotel,

to briefly access places I couldn’t afford.


I never wanted to be anybody else,

I just wanted entry without shame,

the past is a payment with constant notifications,

the future a rising cost

with less around to weather it.


My mother’s roof is worn down from too many storms.

The place I rent has old vents,

in some rooms we close them down

to keep the heat cost down.


It always feels like the bar is unfairly moving,

the credit score, the number on the scale,

like the world is a fancy hotel that wants you to feel

like you don’t deserve to touch the towels.


I’m tired of the rise and fall.

What I want now is more surefooted,

outmaneuvering the market,

keeping me solid,

costing me nothing,

gathering interest.


© 2022 Kayla Marie Williams







Bio: Kayla Marie Williams has a BA from Oberlin College and an MFA in Creative Writing from Antioch University Los Angeles. She hosts a freeform music show on Mixcloud called Radio Alchemy that received an Accelerator Grant from The Arts Commission of Greater Toledo in 2021. By day she works as a copywriter, by night she writes poems and fiction.

Wednesday, March 3, 2021

Women's History Month: Wednesday, March 3, 2021: Beverly M. Collins' poem "Just Sharing"




 Just Sharing

 

Now’s the time, I thought

It was an ordinary month of March in Plainfield, New Jersey

When my chronic sadness finally kicked a hole

In my young outlook. 13 years old and I was tired

Of everything; school, the chaos at home, tired of feeling

 

misunderstood, all alone and unfavored. Tired of

my family moving over and over. So, I plotted to bring

my life to an end. I picked the time, the day and mapped the

way I would do it. It was my little secret. I skipped

school on that day, so I’d have plenty of hours alone to

perish before my family returned home.

 

My calculations were wrong. As the hours

passed, my attempt made me increasingly ill, but I was

Still alive and I was so angry!

 

I left our home and took the long walk to a house we formerly

lived in that I knew was still vacant. I climbed in the

basement window and went upstairs to one

Of the 2nd story bedrooms and laid down there with

My eyes closed waiting for my breathing to stop.

 

When a message came through my mind that was

clear as a bell. It said; You are so young. You are not

going to be 13 and in this forever!

 

When you grow up, you can do whatever you

want to do. You can go where ever you want to go.

You don’t want to die right now. The message startled me.

I sat up and said out loud…Where did that come

from? It gave me just enough hope to shift into

not wanting to die with a shred of an answer!

 

Long story short…I got out of there and I was very sick

Dry heaving and my ears were ringing so loud by

the time I walked all the way back home.

  

I sadly revealed what I’d done to myself. An ambulance

was call and I was rushed to Muhlenberg hospital

Where I spent nearly a week recovering until my system

 

was clear. Most of the time was spent in long visits with

my family and very close friends. There was one friend

among them, who was a year older than me. She wanted to

know all about what happened, and I told her in great

detail everything from plot to finish.

 

Once I was released, I continued to recover at home.

With the help of a circle of support that I was required to meet

with twice a week. About a month after my release from the hospital

I heard news that my friend who had visited me, tried

to end her life. She used my attempt as her model

And thought she had taken it steps further to ensure

That her outcome would be a success.

 

Well, she remembered some of the important details incorrectly.

That was one of the only things that saved her.

I thank the “almighty” I didn’t have to live with a “knowing.”

I was an example that inspired her into teenage death.

 

The strong memory of these events really changed me.

To this day I’m careful to refrain from a fixation on sadness

Or beliefs that disempower. I remain mindful of how l share.

I get reminders that there is a need for caution in how

 

much detail is shared of tragic or violent events. When I see

copy-cat-like behavior involving active teenage shooters, I

always wonder. How many new deadly ideas were sparked

from viewing coverage of previous shootings?

Do details warn or do they teach? It depends on the listener.

I’m so sorry to bother you…The devil can truly be in the details.

 

© 2021 Beverly M. Collins

 

 

 

Bio: Beverly M. Collins is the Author of the books, Quiet Observations: Diary thought, Whimsy and Rhyme and Mud in Magic. Her works have also appeared in California Quarterly, Poetry Speaks! A Year of Great Poems and Poets, The Hidden and the Divine Female Voices in Ireland, The Journal of Modern Poetry, Spectrum, Peeking Cat Literary (London) The Altadena Poetry Review, The Galway Review (Ireland), Verse of Silence (New Delhi), Merak Magazine (London), Scarlet Leaf Review (Canada), The Wild Word Magazine (Berlin), The Readers and Writers Magazine (UK) Truth Serum Press/Bequem Publishing (Australia) and many others.

 

Winner of a 2019 Naji Naaman Literary Prize in Creativity (Lebanon). Collins is also a prize winner for the California State Poetry Society who has been twice nominated for the Pushcart Prize, once for Independent Best American Poetry and “short listed” for the 2018 Pangolin Review Poetry Prize (Mauritius).

 

Her photographs appear on the cover, online and/or internal pages of The Academy of the Heart and Mind, San Gabriel Valley Poetry Quarterly, Wend Poetry, Spectrum, Mud in Magic, and many others.


Tuesday, March 2, 2021

Women's History Month: Tuesday, March 2, 2021: "Two Poems by L.B. Sedlacek"

 

                                                                           photo by marie c lecrivain


Unused Head Shot

   

The manila envelope could contain

anything:  a passport, a wallet,

someone’s keys, ad copy, a book,

an important memo, a secret recipe

this manila envelope contains

head shots taken 20 years ago

forgotten and closed up inside

a silent tomb of facial youth

this manila envelope contained

too much hair and bushy eyebrows

a mole or two, long since removed

lipstick that’s no longer worn

this manila envelope contained

hairspray that’s no longer used

a suit jacket with shoulder pads

heavy makeup so out of vogue

this manila envelope contained

dreams of acting, singing, modeling

a skinny body devoured by age

a three second chance at stardom

this manila envelope contains

an unsaleable photograph

a face with no wrinkles

natural colored hair

the manila envelope could contain

something:  hope, innocence, dreams,

imagination, desire, achievement,

success or a secret romance

 

but now this manila envelope contains

unused head shots worth nothing at all.

 

© 2021 L.B. Sedlacek

 

 

 

Graffiti Trail

   

Paint can caps

of neon

orange, blue

forgotten in the sand and a

pink jacket hanging

on a pole

forgotten

this road to the lighthouse

chained off

the abandoned lighthouse far out in

the sea inaccessible  but you

can still see it from the

beach they must come at night to spray paint to

graffiti the

roadway, the parking lot with

so and so plus so and so

motivational messages

drawings

in orange, blue, pink, yellow

and red

the lighthouse, untouched, stands tall

and takes the sea in

a blend of grays

lacking in spray paint, no graffiti, no color.


© 2021 L.B. Sedlacek



BIO:  L.B. Sedlacek has had poetry and fiction appear in different journals and zines.  Her first short story collection came out on Leap Day 2020 entitled "Four Thieves of Vinegar" published by Alien Buddha Press.  Her latest poetry books are "The Poet Next Door" (Cyberwit), “The Adventures of Stick People on Cars” (Alien Buddha Press), “The Architect of French Fries” (Presa Press) and “Words and Bones” (Finishing Line Press.)  She is a former Poetry Editor for “ESC! Magazine” and co-hosted the podcast “Coffee House to Go.” LB also enjoys swimming, reading, and playing ukulele.