Showing posts with label Puma Perl. Show all posts
Showing posts with label Puma Perl. Show all posts

Thursday, March 11, 2021

Women's History Month: Thursday, March 11, 2021: Puma Perl with Two Poems, "If I Didn't Dream It" and "Just Another Day"

Photo © Alice Espinosa-Cincotta



If I Didn’t Dream It

 

I stopped remembering my dreams.

They seem to have gone the way of live music,

performing, drinking at the bar, hugging friends.

 

Sex and conversation, laughing in the street;

Did any part of my life really happen?

 

Or have I always sat at this desk,

hidden away from people

like a rock and roll Emily Dickinson,

imagining dancing in front of the band,

music so loud it took half my hearing

and, in that moment not thinking,

not caring about consequences

or tomorrow or even much of yesterday?

 

Was it all a dream?

Did I sit, surrounded

by not quite white walls

and rows of books,

as I created the life I thought about,

the one I always wanted,

a tough broad with a soft spot

that only a few ever touched,

keeping those few forever?

 

If it was real, wouldn’t I dream it?

Sometimes I wake in the morning,

sepia images of casual acquaintances

floating towards the ceiling,

unclear why they’re the ones

who visit, never anybody

with a hint or mystery

or a scent of the forbidden,

just some legs and heads,

riding the same bus

or standing in the elevator.

 

Another morning comes,

another coffee in the same

black cup, MOMA, 2000;

Does it mean I was there,

at a museum retrospective

wandering among Picassos,

red and blue periods,

Van Gogh’s Starry Night,

Modigliani’s long necked women?

Or did I sit in my chair

in front of the oak roll top desk,

far away from art and air and breath?

 

What if everything is a dream

and my sleeping hours are empty

of thought and image?

 

What if nothing in my life ever happened?

 

© 2021 Puma Perl

 

 

Just Another Day

 (in memory of Savage)

 

In midafternoon

on New Year’s Eve Day

he cancelled the plans

that he had initiated

 

I was not surprised,

just annoyed because now

I’d have to buy my own food

 

My heart remained dark

and unmoved

 

Connections are meaningless

if our souls are all the same

once you peel away egos

and black leather jackets

 

Without bodies

there’s nothing left

to exchange

but the air we breathe,

the sky we see,

the swords we bury

so deep below the surface

they’ll never be found

 

On New Year’s Eve Day

it was not his cancellation

that crushed my heart

despite my clumsy efforts

to piece the puzzles

back together

 

Once said, words

will never be unsaid

We writers are blessed

with memory

and cursed

with perfect recall

 

It’s hard to admit,

but my dark heart

sometimes shatters

just like his recollections

 

It’s easy to lose hours

like leopard gloves

and broken umbrellas

 

Just another night

Backup plans trashed

Chinese food on the way

Everybody lying low.

 

© 2021 Puma Perl



Puma Perl is a poet, writer, performer, and producer. She’s the author of two chapbooks, Ruby True and Belinda and Her Friends, and three full-length poetry collections, knuckle tattoos, Retrograde (great weather for MEDIA), and Birthdays Before and After (Beyond Baroque Books.) She was the creator, curator, and host of Puma’s Pandemonium, which brings spoken word together with rock and roll. As Puma Perl and Friends, she’s performed regularly with a group of excellent musicians. She’s received three awards from the New York Press Association in recognition of her journalism and was the recipient of the 2016 Acker Award in the category of writing.





 

Sunday, March 1, 2020

Sunday, March 1, 2020: National Women's Month: Puma Perl's Poems: "Wild Cards" and "A Taste of Rebellion"

WILD CARDS

Today
I read your poems
Tried to figure out
which ones were written for me
Some are easy
My initials inserted openly
Others were harder to decipher
Could have been me,
but maybe not
You say I opened my mind
but not my body,
suggesting
a greater intimacy
than I’d imagined
You stopped writing poetry
but occasionally send me
other people’s work
Blowtorches of poems
you call them
Published in The Paris Review
or Atlantic Monthly
They remind us of our fathers,
missed telephone calls,
Yankee games

Wild Card made the sun rise,
I message one October morning
and you agree, drinking coffee,
waiting for a ride to the rehab center
A funny word, rehab,
when nothing can be fixed
in these broken-down houses
made of twisted bone
devoid of muscle memory
Too many cigarettes,
speedballs, and rainbow cookies
Bored silly by the gym
and its endless repetitions
Sweatpants reserved
for reading books
all Winter
and into the Spring

I wrote a few poems
Some of them might be good
but not as good as
those you send
or the ones you used to write
Slipping into Monday,
you message back,
and attach an Autumn poem
filled with breath
and shadows
We meditate
on Summertime senses  
hot stoops
cold beer, reefer
while we sit
on our sinking brown couches

Twenty minutes crosstown,
A thousand miles apart.

© 2020 Puma Perl




The Taste of Rebellion

What did your rebellion taste like?
Mine tasted like long-haired boys
Sounded like 4AM rock and roll,
felt like the bottom
of my mother’s staircase
after she kicked me out
for coming home too late

My rebellion tasted of not going back,
smelled like $34 in my wallet,
dug into me like the knife
resting in a sheath on my hip
the day I changed my name
to Puma, just like my knife

My rebellion felt like never going home,
Feelings began in my legs,
exploded like the orgasms
I’d never even had yet,
smelled like pot and silk scarves
burning shade on lightbulbs,
looked like paisley,
reds and blues melting
on purple
Sounded like Jimi and Janis
before they reached 27
and draped the Fillmore in black

Nobody witnessed my rebellion,
everybody caught up in their own
My family had already labelled me
crazy, hopeless, a lost cause,
a loser nobody would love
They were wrong and they were right

His rebellion was dropping out
of Bronx Science, hiding a gun
in his bureau, black jeans so tight
he “customized” them
with slits up the calf
and could hardly walk up the five flights
leading to our railroad apartment
with the police lock, the brick wall,
the loft bed, the bathtub in the kitchen
Where we lived in our shared rebellion

Our rebellion was his criminality,
my welfare, our books and music,
the dog he called Stagger Lee,
nights in Tompkins Square Park
days on St. Mark’s Place,
armed love, cigarettes
leather jackets

My surrender was to heroin,
His was to money
A baby born in the middle
of our separation
His rebellion would be raves,
speed, cars, girls, and survival

The drugs are gone
Stagger Lee was stolen
from outside a bodega
and his owner’s life surrendered
to the gun held in his own hand

My rebellion is quiet and solitary
Broken down Tuesdays
and hot summer days when life
seems to go on too long
Today is Wednesday, July 4th
Fireworks but no celebration
I order Chinese food and search
for a black and white movie
If new Coltrane tracks can be found
Maybe there’s still some hope
for rebellion without surrender.


© 2020 Puma Perl


photo by Linda Rizzo


BIO: Puma Perl is a poet, writer performer, and producer. She’s the author of two chapbooks, Ruby True and Belinda and Her Friends, and three full-length poetry collections, knuckle tattoos, Retrograde (great weather for MEDIA), and Birthdays Before and After (Beyond Baroque Books.) She is the creator, curator, and host of Puma’s Pandemonium, which brings spoken word together with rock and roll. As Puma Perl and Friends, she performs regularly with a group of excellent musicians. She’s received three awards from the New York Press Association in recognition of her journalism and was the recipient of the 2016 Acker Award in the category of writing.