Showing posts with label Lynne Bronstein. Show all posts
Showing posts with label Lynne Bronstein. Show all posts

Friday, May 1, 2026

Friday, May 1, 2026: Lynne Bronstein's "Tangelo Winter"

Tangelo Winter

There are still tangelos on the tree, at this late date in February. Some soft large

ones have fallen on the ground; some that are high in the tree will be eaten by

racoons. I have gathered many of these fruits, pale and deep orange, some easy to

peel, some with few seeds, and some so seedy they might as well be cheremoyas. I

am thankful for the free fruit and for the mixture of sun and rain that brought on

such a rich harvest this year. It may be the most memorable thing about this winter,

which has been full of turbulence in the world, and which has brought some sorrow

to this house. I longed for treats with no trouble, fruit that was sweet with no

annoying seeds, even as I knew that the knobby seeds, like the more annoying and

painful aspects of life, are what bring on another season of fruit for us to eventually

enjoy.


Tangelo winter

Ripe rich fruit for the picking

Reward not asked for.


© Lynne Bronstein





Bio: Lynne Bronstein is the author of Nasty Girls (Four Feathers Press) and four

other books of poetry. She has been published in magazines ranging from Playgirl

to Chiron Review, from Lummox to anthologies in England, Ireland, Israel,

Canada, and India. Her short fiction has appeared in magazines and anthologies

and has been read on National Public Radio. She also writes a column on Facebook

and Substack called Show Biz Cats.


Thursday, May 16, 2024

Thursday, May 16, 2024: Lynne Bronstein's "The Tears Run Together"

 The Tears Run Together


I am weary and cannot bear to stay awake

But the Shekinah

Pries my eyes open.

She tells me to look

And I see a woman,

Veiled, holding a dead child.

Cry, she says, for mothers of Gaza.

Then she turns my head

In another direction

And I see more women,

More children,

The dead piled upon the lonely

Bones, the bodies still screaming

From the wresting out of their souls,

Cry, she says,

For the mothers of Israel.


On the earth, some look away

From the dreadful sight,

And some make accusations

While others deny

That they see anything at all.


Does it matter what the reason was

For this slaughter?

Can our wrath be aimed

At only one side?

The Shekinah

Cries at the sight

Of women handled by brutes

Until the handling kills them.

And the Shekinah howls even louder

At those who refuse

To believe

That what hurts one

Hurts all.


The Shekinah

Wants us to meet somewhere

Reach out and touch,

And if we are unable to fully understand,

To at least cry together

For an unarticulated

Answer

To a crisis that does not need to be.


© 2024 Lynne Bronstein








Bio: Lynne Bronstein is the author of Nasty Girls (Four Feathers Press) and four other books of poetry. She has been published in magazines ranging from Playgirl to Chiron Review, from Lummox to anthologies in England, Ireland, Canada, and India. Her short fiction has appeared in magazines and anthologies and has been read on National Public Radio. She also writes a column on Facebook called Show Biz Cats.

 


Friday, January 12, 2024

Friday, January 12, 2024: Lynne Bronstein's "The Road"

 




“I want you to stay.”

It was the simplest little sentence, just five words. She said them to him every night, in her head but this time she actually said the words out loud and hoped that he would hear them and do what they said-stay. 

He did not stay. He did what he had been doing for almost every night of the last two months. He walked out the door. He was going to a bar. The first time he did it he told her he was going to a bar. Since then, she had not bothered to ask him. She knew.

Okay, maybe one night or the other, he had gone to a movie instead, a movie she didn’t want to see. It was getting more and more that way. They never seemed to agree on anything.

So, this night, he came home and went right to the bathroom, came back, and sat down in the big plush red chair at the non-window end of the living room. And he was silent. After five years of marriage, she had come to know this awful silence of his. It meant he was really angry, so angry he couldn’t talk. She would have preferred that he scream at her.

When he finally spoke, it was only to say:

“Do you have any plans tonight?”

“What plans would I have?” she replied.

“Oh, a big dinner party, a special social engagement. Hell damn, I don’t know. What do you do with your goddamned life anyway?”

“I have no plans.”

“Fine. I’m going out.”

“I want you to stay.”

He got up and walked to the door, opened it, went out, and closed the door behind him. That was it.

Now she sat in the big plush chair and thought about the five years.

Maybe it had been good for them for the first year. Back then they went to a lot of movies together at night. He took her to all the foreign films she had never seen and explained them to her. 

She occasionally ventured an opinion about a film but he had a tendency to shoot down her observations. One time they saw a French film that involved two couples and a writer who was manipulating the two couple’s actions because they were characters in a novel he was writing. But the couples were also based on his family. She remarked that the movie was about the creative process and he retorted that it was about having preconceived notions about what was actually happening.

She argued that her interpretation of the movie was valid and he told her she had a lot to learn about life and movies.

Then it seemed like he was taking her to the movies so they wouldn’t have to have conversations. Not all of the movies they went to were good; some of them were silly horror films and action films. Eventually she began to beg off, saying that there were things on TV she wanted to see and books she could read. He went to the movies by himself and then gradually, the going to bars started.

And she knew what that really was about.

At least what this gave her was a night to herself. She was alone and unafraid to be alone in the house. She could do anything she wanted to do.

“Yes,” she said aloud to no one. “I can do anything.” For the moment, that meant that she washed the dishes. But then she stopped in the middle of scrubbing a plate and put it in the dishwasher half scrubbed.

Hell, screw the dishes. Screw the housework. Let the house get dusty and greasy. It was worthy of who came home to it.

She heard a screech of brakes but she knew it wasn’t him. They lived in the last house on a street that then swerved into a sort of highway. Some cars sped through the last light (a few doors to the north of their house) so they could really take off once they were on the road.

She decided to take a bath. Usually, she took showers. Tonight, she would take a bath and bask in her solitude. It would be like going to a spa.

She ran the water and sprinkled some bubble bath into the tub. Then she lay for about a half hour in the bubbles. She could have played some music but she preferred the silence, the perfect aloneness.

Out of the tub, she wrapped herself in a big towel, paying attention to every second of softness. Then it was scented bath powder and cologne. None of this had been given to her by him. He never sprung for presents like that. Friends gave her fragrances; a female cousin had even sent her some Opium once. 

She wanted to pretend that a special lover had given her the fragrances but hell, screw, it was fine the way it was. It still made her feel special and clean.

Now, in her bedroom, she picked out a robe to wear. Again, a present from a female friend. A black lace negligee. A garment her husband never saw her wear because he wasn’t interested in such garments when they clothed the likes of her.

And also, to go with the negligee, old-fashioned gold sling backed high heeled shoes, from a thrift shop a few years back.

And now the red lipstick and the blue eye shadow and the black eyeliner and mascara. One would think she was going out. But it was only for herself. It made her feel better.

She stood in the living room. Now was the time to put some music on. She chose an album with some movie scores, some soft pop stuff that was as close to jazz as they had in their collection.

And now was the time for her to pour herself a drink. Yes, they still had some bottles in the liquor cabinet. He went out to drink because there was more than just drink out there. In here there was just some Scotch (which she did not especially care for) and some cherry brandy. Yum. That was what she wanted. He kept that for cocktails, for guests. Hell, she felt like a guest in her own home, didn’t she? She poured herself a tiny shot glass full of brandy and drank it down in one gulp.

And now she was ready.

She opened the door and stepped out into the night. The road was dark, occasionally lit up by the headlights of a passing car. A car zoomed past her too quickly. She would have to wait for the next one.

She stationed herself at the side of the road as close to the road as she could without being run over. Another car was coming. As it neared, she got ready. She put her hands on the edges of her negligee.

The headlights caught her as she flung the negligee open and exposed her nakedness to the car.

She saw the driver go unsteady and almost go off the road-almost. He somehow got hold of himself and drove on—but wow, didn’t he almost go off? Wow.

I’ll do that again, she thought. 

Another car, coming closer. Fling it open. Hold it wide open. Let the lights glide over her breasts and belly like someone touching them.

Screech and slow down. The driver shouted “Are you crazy?” and put his foot on the brakes and drove on.

Two more cars. They didn’t stop. Maybe the drivers were women. Or just not interested.

Ah, here was another one. He came to a screeching stop. He stared for a second. She ran into the house, laughing. She heard him drive away. Too bad! Fooled you!

And then she was out there again. She had found a new pastime. I’ll keep doing it, she thought. This is fun. 

I’ll keep doing it and maybe one night the driver coming home…


© 2024 Lynne Bronstein


Bio: Lynne Bronstein is the author of Nasty Girls (Four Feathers Press) and four other books of poetry. She has been published in magazines ranging from Playgirl to Chiron Review, from Lummox to anthologies in England, Ireland, Canada, and India. Her short fiction has appeared in magazines and anthologies, including the current Crime Under the Sun, and has been read on National Public Radio. She also writes a column on Facebook called Show Biz Cats.

Friday, April 21, 2023

Friday, April 21, 2023: Lynne Bronstein's poem "Tirzah"

 Tirzah


How am I to begin again?

I was dying. My face, my hands

Covered with sores. My skin

Decaying before my eyes.

I had lost my way, lost my love,

Lost everyone I knew except

For my mother, who, along with me

Lived a nonlife in the darkness

Of a windowless, cave-like cell.

Four years in the dark, looking forward

Only to the tray of bread and water

Pushed in through a hole every day.

Four years for me to dream

Of what might have been.

My life in a world of gold and silk,

Caring for the children I would have borne

And loving the man who became instead

My family’s scourge, our enemy and doom.

Then, the valley. The cursed place.

Again, a cold cave, although sometimes

I ventured into the sunlight

Wrapped in bandages and shawls,

Still struggling to live

By dreaming.

Was it a miracle

That a strange late afternoon thunderstorm


Washed me clean, dried up my sores,

Cured me of the plague?

I saw someone who was unluckier than myself.

When they hammered the nails into his hands

I felt the piercing myself and I cried out.

Years of suffering in silence

While my brother survived punishment

To become a hero.

His deep sorrow over our fate

Did not prevent him from having adventures.

I had only the life within my head.

Who am I? Unmarried and getting older,

Clean-skinned but plain,

A woman in a man’s time.

Do you think I can

be happy now?

To feel blessed, to reach toward faith

Is not my intention at all.

I am no longer afraid.

But that simply means

That now no one should be surprised

If I mount a horse

And ride off

At frantic speed

Arms raised in the air,

Shouting my glee

And taking in

All the pleasure


Denied me all those years.

No more caves.

No more wounds.

And more than just dreams.


© 2023 Lynne Bronstein







Lynne Bronstein is the author of Nasty Girls (Four Feathers Press) and four

other books of poetry. She has been published in magazines ranging from

Playgirl to Chiron Review, from Lummox to anthologies in England, Ireland,

Canada, and India. Her short fiction has appeared in magazines and

anthologies including the forthcoming Crime Under the Sun, and has been

read on National Public Radio.


She also writes a column on Facebook called Show Biz Cats.


Tuesday, April 5, 2022

Tuesday, 04/05/22: Lynn Bronstein's poem "Ronnie Spector Hugged Me"






Ronnie Spector Hugged Me

     

This is what it looked like to an insecure teen.

Three girls with enormous hair and amazingly made-up eyes,

Wearing sequined dresses and spiky heels,

Looking up at me from the sleeve of a 45.

The label said her name was Veronica

But we called her Ronnie.

I wanted to be like her

With hair piled high and that

Little tremble in her voice,

And that aura of a Gang Deb

That I secretly wished I could have.

I didn’t know about her life beyond the vinyl.

The stress, the abuse,

Living both sides of the color line,

The bottle of Manischewitz that

She hid in a toilet tank,

The man she loved keeping her a prisoner

And blurring her reality,

So that for years, the rest of us

Could sing her songs in a karaoke bar

But she could not.

When we finally met

I knew

I just had to tell her.

I had read her book, learned about her struggle.

What could I say to the sequined siren

Who’d danced in her spike heels

But fled her hipster tyrant husband

In her bare feet?

I think I said that I related, that I felt for her.

I wanted her to know

That she was special, that she had survived

So much more than I could ever understand.

And she just hugged me.

I found myself enveloped

In her famous long black hair

In a moment many men would have traded gold for.

What passed between us in each other’s arms

Had a value that could never be sold as a souvenir.

Our lives, so dissimilar, briefly touched.

The night we met we knew we

Needed each other

So.

                            

© 2022 Lynne Bronstein         

                                       

                         

           

Bio: Lynne Bronstein is a veteran poet, fiction writer, and journalist. She has published five books,including Nasty Girls from Four Feathers Publishing. Her poetry and short fiction have appeared in everything from Playgirl to Chiron Review, from underground newspapers to National Public Radio. She writes the column Show Biz Cats, seen on Facebook.